The Man From Hong Kong

And this week's Friday night movie has been... The Man From Hong Kong!

Original image located here. Accessed 31st December 2021

Watching a 1970s Australian attempt at making a Kung-Fu movie? Well I have spent worse New Years Eves.

Obviously this is a product of it's time: The music, the clothes, haircuts, and film-making techniques all scream mid-1970s. Why, even that opening scene has no chance of being replicated now.
And it may be easy to mock the movie for it's corniness.
But in the end I still find a lot to admire: It is a decent stab at tackling a particular genre, the nods to the James Bond franchise are admirable (most notably having George Lazenby as the villain) and the fight scenes are really good - special mention to the car chase, the fight in the restaurant and the martial arts school.
All in all, an entertaining way to see out 2021.

Anywho, this concludes the Friday Night Movie for 2021. Thank you for reading these and to anyone that provided any likes and comments made throughout the year. Next year brings some more movies to watch and I'm looking forward to it already....

It's a Wonderful Life

And this week's Friday night movie has been... It's a Wonderful Life!

Original image located here. Accessed 24th December 2021

Okay so I'm cheating as I have already seen this movie.
And it may be easy to bag this movie as being flogged to death at Christmas time, being replicated many times since (what if...?) and being required viewing for people struggling with self-worth.

But you know what? Both such observations and the passage of time has done little to diminish the power of this movie. Indeed, if this film has been revisited many times over the years, over many a Christmas, it is for a very good reason.
And yes, i will admit it did indeed leave a personal resonance
I mean how can you not with that final scene?!

Legally Blonde

And this week's Friday night movie has been... Legally Blonde!

Original image located here. Accessed 17th December 2021

Kiera chose this one XD
I do remember this movie from it's initial release in the early 2000s. But what is fascinating about this movie, to the outsider like myself, is the shelf life it has garnered since: A lot of people still think highly of it - indeed moreso than other rom-coms of it's era - and it has a successful musical to it's name. So there must a good a reason behind this endurance, right?

Well, I will admit there were some laugh-out-loud moments (thereby passing the first and foremost requirement of any comedy). And it certainly has a greater sense of identity that makes it stand out from the other rom-coms - which is another plus.
But in all honesty, what makes this movie for me is Reese Witherspoon herself, who has charismatic presence and is clearly having the time of her life. Is it enough to sell the movie however?
Well, if Legally Blonde's enduring appeal is set to continue then the answer would indeed be yes

Skyfall

And this week's Friday night movie has been... Skyfall!

Original image located here. Accessed 10th December 2021

Well I did it: I said I will watch a James Bond movie for every month in 2021 and now I have done it (Well there was the exception of October but that was fully booked). It has been quite the journey: I was in two minds whether the new one, No Time to Die, would be included and I was unable to see License to Kill (consider that the October entrant). But I did what I set out to do so yay me.

And I certainly picked a grand >one to go out on. Yes, having seen a lot of James Bond movies this year, I can safely say that this is Bond at his best: Daniel Craig is giving his all in the role, The villain is interesting, the action sequences are top notch, the tension is strung out, and there are some wonderfully shot moments (the climax at the mansion being one such stand out).
And, for a series that is notorious for formula, this movie certainly proves there is life in the old dog yet.
So in the end, did Craig grow on me? I do believe he has.

Pom Poko

And this week's Friday night movie has been... Pom Poko!

Original image located here. Accessed 3rd December 2021

Yes we're taking another trip into the anime well. And we're casting a look at the distinguished body of work that came from the one and only Studio Ghibli - with one of their more overlooked movies. - but then again this is Ghibli we're talking about and anything that is directed by someone who isn't Hayao Miyazaki is automatically dubbed overlooked.
Still, I have been putting off this movie for quite some time: One of a handful of movies courtesy of Ghibli's other genius/co-founder Isao Takahata. No time like the present I guess...

I have to admit that Pom Poko is indeed a unique entrant in Takahata's body of work. I know he can do realistic stories with attention to detail (ie Grave of the Fireflies and Only Yesterday) and I know he can do experimental works that take animation into new places and gobble up Ghibli's profits (ie My Neighbors the Yamadas and Tale of Princess Kaguya). So where does this leave Pom Poko?
If anything, it seems to take some of Miyazaki's familiar themes - pastoral landscapes, inventive designs and ecological theme - and place them in a different context. Nothing wrong with that - I mean why not have someone different talk about the same thing? - but there are times when it feels less like a Takahata film and more like one where he was peering over Miyazaki's shoulder and taking notes.
Still, this is a Ghibli movie and has all we come to expect: Humour, imagination, weirdness, high quality animation and some truly heartfelt moments. In fact, I do wonder why this is one of Ghibli's overlooked films as the themes of rebellion and ecological concerns would indeed find an audience in this current political climate...

Happy Happy Joy Joy: the Ren and Stimpy story

And this week's Friday night movie has been... Happy Happy Joy Joy: the Ren and Stimpy story!

Original image located here. Accessed 26th November 2021

Oh this takes me back: Ren and Stimpy was a show I watched a lot of in the mid-nineties. Indeed, it was a show that was perfect for an impressionable mind entering their early teens. Say what you like about it now, but what drew me in was that really challenged to notion of what could be accomplished in a cartoon, it aggravated a lot of conservative types, it was random and bizarre, and had plenty of gross humor.
That and it was the funniest thing I had ever seen.
So upon learning that a documentary had been made about this cartoon, how could I resist?

First up you can't say this documentary wasn't informative: We follow the story of Ren and Stimpy, starting from John Kricfalusi's passion for animation before following onto his determination to make a show that pushed the envelope as to what animation could accomplish, the success, the obsessive attention to detail to the animation, the subsequent missed deadlines, the firing of Kricfalusi, and the influence Ren and Stimpy has on successive cartoon series.
I have to admit that whilst i was enjoying the show, there was a lot of behind-the-scenes chaos that was happening. So to be made aware of this has been eye-opening to say the least. I did not know about the insane process of getting the show made and I certainly did not know about Kricfalusi's... dodgy acts (and that's putting it lightly) in the years since. Still, for a documentary the information is comprehensive and it certainly makes a case that the odd adventures of a jerk and an idiot did change the face of animation and brought focus onto creator-driven shows.
Who would've guessed that such a strange cartoon would have such a compelling story behind it?
Personally, my teen years have long since passed so it is kind hard to watch Ren and Stimpy now. Still it is interesting to see the impact it had and to see fans talk about it with enthusiasm. So I will give it that much.
Plus, nearly three decades on and I still love that opening theme

Casino Royale

And this week's Friday night movie has been... Casino Royale!

Original image located here. Accessed 19th November 2021

After a slight deviation, my yearlong mission to watch more James Bond movies continues.
And now we enter the Daniel Craig era. This does mean we are bypassing the Brosnan era simply because I have seen them all. But in away, going from Dalton directly to Craig does indeed seem like a more natural progression as both actors are drawing heavily from the source material. Furthermore, i will admit I didn't give the Craig era much of a chance (I saw Quantum of Solace when it was originally released in the cinema and I do recall it boring me) so it would be interesting to see it Craig strut his stuff with fresh eyes.

And does he ever.
Clearly doing a reboot was the right call to make given that this series has a terrible reputation for formula. And drawing heavily, like never before, from the source material was also the right move. As a result this a Bond updated, repeating the same trick Goldeneye pulled off years earlier (no surprise that both have the same director).
As always, the action scenes are well choreographed and the drama is well handled. And, as this is an origin story, it is interesting to see Bond's progression into the agent we know. I am well aware some people don't like Craig for his dour/humorless take on the character but give him credit: At least he is taking a tried-and-tested role and taking into unfamiliar territory.
I guess being older and wiser gives me more patience for Craig so it would be interesting to see where we go from here...

The Social Dilemma

And this week's Friday night movie has been... The Social Dilemma!

Original image located here. Accessed 12th November 2021

Anyone heard of this? It's a Netflix documentary addressing the dangers of social media.
This documentary is presented as a combination of information against the use of social media and a dramatization presenting a narrative of a protagonist who gets involved with social and is sent on a downward spiral.

Whilst the 'dramatization' parts are both intrusive and cringy, the real meat in this documentary is, of course, the information presented. It is revealed just how much the likes of Facebook (pun unintended) and Google are building themselves around the interests on the individual. We are shown the lengths these social media platforms will go just to grab one's interest and be keep them permanently hooked. We are informed the psychological methods these developers are utilizing to grab the attention of the mentally vulnerable and making them worse.
Of course, none of this will be new to those who are well versed in IT but it is presented in a way that is understandable and easily digested. But it begs the question: Why on earth did the makers go with the 'dramatization' parts? As mentioned above they are indeed intrusive and do lessen the punch this movie delivers. But boy, when this movie hits, it hits like a truck.

Shang-Chi and the Legend of the Ten Rings

And this week's Friday night movie has been... Shang-Chi and the Legend of the Ten Rings!

Original image located here. Accessed 5th November 2021

The MCU tries it's hand at making a Kung-Fu movie. Well, why not? It's tried a whole lot of other genres so in a way this was inevitable.
Okay seriously though, there's nothing wrong with that its just that I've seen many a kung-fu movie in my time and when Marvel do it, i want only for them not to do shoddy job.

Thankfully Marvel don't do a shoddy job: The action sequences are very well done and are, at times, jaw dropping. Indeed there is a sense that this a kung-fu movie being made with a larger budget - when compared to some Hong Kong flicks I have seen in my time - and they are going to milk it for all that it's worth.
Simu Liu is great, Michelle Yeoh is always fantastic, Benedict Wong is having fun, but personally, the real MVP is Awkwafina who is a delight to watch and steals every scene she's in. So if this film was made for more Asian representation on the silver screen, then all I can say is: More please!
Funny thing however: One gets the sense that with this film, as well as the upcoming Eternals movie (if the trailer is anything to go by), is bringing the MCU to a more grandiose direction than ever before. It may seem a strange movie - considering that Phase one was a very grounded one - but when Endgame makes so much money one can do whatever they want.

Razorback

And this week's Friday night movie has been... Razorback!

Original image located here. Accessed 29th October 2021

Yep, we conclude this October's clutch of horror movies with one about a killer pig. Yay.
For those who don't know, this was an Australian horror movie that came out in the mid-eighties. And it comes across as being a product of it's era as I can't help but see it taking more than a few cues from earlier Australian movies. We have stunning shots of scenery (Walkabout); we have a guy contending with the both the Australian outback and hostile locals (Wake in Fright); and we have uses of ramshackle technology (Mad Max). And if that isn't enough, this movie replicates the most crucial aspect of Jaws: the less you see of the monster, the less silly and more frightening it becomes.

First up, there's a lot working against this movie. It has a derivative nature (as indicated above). The pig effects look awful and the acting is all over the shop.
However! Perhaps the most strongest aspect of this movie would have to be the cinematography: It is beautifully shot with some stunning use of color. Compared to other Australian movies of this era, this movie certainly looks different and is all the better for it. And hey, it makes the movies flaws somewhat easier to forgive.
And somehow, the idea of Pumbaa on steroids can not be underestimated...

A Girl Walks Home Alone at Night

And this week's Friday night movie has been... A Girl Walks Home Alone at Night!

Original image located here. Accessed 22nd October 2021

Anyone heard of this? This has been sitting on my watch list for some time, waiting for a moment like this. I was initially sold on the promise it is atmospheric horror (ie the best kind of horror) so now's a good time as any.

Talk about a slow burner: It took a while before the movie showed it's hand. Before then I was worried that it wasn't a horror movie and i had picked up an arthouse flick by mistake. Well, that wasn't the case: The slow burn does indeed help the movie that when the horror comes in, it makes you sit up and take notice.
From a horror movie standpoint, this movie does indeed play the atmosphere card. Which works for me. But what is notable is that it;s horror is derived from the scenario of walking down the street at night and then suddenly seeing an ominous figure. It's indeed a potent scenario and I haven;t seen it utilized enough in cinema -= but again, horror movies aren't my forte so what do i know?
But getting past the horror angle, I realise that this movie is indeed coming from another angle: one of a drama movie, about lost souls and the need to find connection. In fact such moments seem to outweigh the horror moments. So does that make this movie a true horror movie?
Maybe but I reiterate: horror movies aren't my forte so what do i know?

Don't Look Now

And this week's Friday night movie has been... Don't Look Now!

Original image located here. Accessed 15th October 2021

I was looking forward to seeing this as it has a reputation as being a real scary movie. Well, I'm up for a challenge.

Ironically however, this movie didn't really do much for me. What should possess a creeping sense of dread (always a winner in my book) comes across as being dull. The climax should be horrific but somehow it comes out flat.
If anything, this is less a horror movie and more a movie about two parents dealing with grief. Okay that's still not a bad idea for a film but did they have to make it so monumentally DULL? Okay, so there's nothing wrong with a slow burner but there's a difference between that and testing my patience. And if a horror movie is looking boring then something has gone horribly wrong.
Seems next week, i should address something with a lot more bite...

Next of Kin

And this week's Friday night movie has been... Next of Kin!

Original image located here. Accessed 8th October 2021

Anyone heard of this? It's an Australian horror movie from the early eighties. I guess if people know this movie it is through it being talked up by one Quintin Tarantino (in more than one source) as being the Australian "The Shining'. Well I saw The Shining last week so seeing this would seem like a natural progression.

It seems Tarantino's observation was quite accurate: Much like The Shining, this movie relies heavily on mood and a mounting sense of dread. Which is exactly what i want from a horror movie. The 'haunted house' theme is well done and whilst there a jump scares, they still take a back seat to the afore-mentioned mounting sense of dread (and quite rightly so).
Yes this a very low budget movie but, as is often the case, a low budget horror movie means it's makers were creative in what they did with what they had.
Plus it's fun to see a young John Jarrett.

The Shining

And this week's Friday night movie has been... The Shining!

Original image located here. Accessed 1st October 2021

Well it's October and, as is tradition, it's my cue to have a month watching horror movies. And for 2021, we're coming out swinging.
This may surprise some people but I have never seen The Shining. Sure I have seen bits and pieces ("Heeeeeeeeeeeeeeere's Johnny!") but I have never sat down and watched the whole movie the entire way through. And, as one may gather from this blog, is proof that the honest approach is the best one.

I have previously stated that the best kind of horror movie is the kind that eschews jump scares in favor of mood/atmosphere/a sense of creeping dread. That being said, Kubrick clearly thought same as he does indeed apply the same trick - along with a fear of the unknown (the other greatest tool in the horror filmmaker's possession). But at the same time, he throws in long takes, rapid zooms and a traumatized cast. These may sound like some odd methods but they work wonders (although the last one may be debatable). As such, it is startling how effective one turn around a corner can have freaky effects.
I will certainly say this is more effective on technical level than it functions as a horror movie. Is that what Kubrick was going for? Was he intent on reinventing the horror movie? Maybe he was, giving the number of movies since that take the atmospheric approach.

Chariots of Fire

And this week's Friday night movie has been... Chariots of Fire!

Original image located here. Accessed 24th September 2021

I tried to watch this movie back in 2009. But for some reason or another I never got around to finishing it. Well, today seemed like a good as any. After all, this film is forty years old. And 2021 is an Olympic year (kinda). And I WILL get past that unforgettable theme song and finally see the movie that came with it!

As is often the case, it is not the story but the way it is told. Sports movies aren't my favorite kind of movies because they tend to have an outcome that is never in doubt (ie the protagonists win) but here, there is enough drama and detail that one doesn't think about the outcome. It does indeed make for compelling viewing to see these characters go all the way from Cambridge to competing in the Olympics And such a sincere approach does, surprisingly, hold water when a modern approach demands cynicism and drug scandals.
In fact being a document of the era it is set in (despite a number of inaccuracies) is one of the strongest assets of the film. The costumes, the sets and the details are are stunning to behold - as well as various class/religious differences of the time.
So yep, looks like this movie scores gold.

Not Quite Hollywood

And this week's Friday night movie has been... Not Quite Hollywood: The Wild, Untold Story of Ozploitation!!

Original image located here. Accessed 17th September 2021

For those not in the know, this is a documentary from 2008 that describes a particular period of Australian cinema. Whilst the seventies are widely regarded as a boom time for Australian cinema, this however concentrates on the lesser known area: the exploitation films of that era - and beyond.

So what this movie presents are the movies of the era,- divided into the camps of sex, horror and action - and it is intercut with the interviews from both the people that made them and fans - least not is one Quentin Tarantino who played a key role in getting this documentary made.

This certainly is fascinating to watch, as it describes many of the aspects of a particular era. It isn't just the movies themselves but how they were made, the trails and tribulations involved, how they represented the time they were made in, the challenges of trying to find an international audience, and the personalities who made them. Plus it's fun to see Tarantino speaking about movies - a subject where one can expect him showing the enthusiasm of an evangelist.
But really the biggest success is how this documentary generates interest in these movies - why after I was finished and added more to my 'To watch' list. Sure it may be a wasteland which builds numbers faster than it loses them but hey, it's proof this documentary did just what it set out to do.

Ingrid Goes West

And this week's Friday night movie has been... Ingrid Goes West!

Original image located here. Accessed 10th September 2021

Earlier this year, I saw a movie, Promising Young Woman, which ended with a wedding being disrupted. This evening, I saw a movie that starts with a wedding being disrupted. Should I be worried?

I came into this movie expecting a satire that casts a critical eye on the use of social media. Whilst that was indeed what i got, there is however something else lurking underneath the surface.
Stop me if this narrative sounds familiar: The protagonist is unhappy with their life; they become enamored of some female figure and they are so intent on establishing some kind of human connection that they will resort to stalker tactics. Now someone people may slam rom-coms for utilizing the same narrative path, stating it is creepy, and sets unrealistic romantic expectations for guys. HOWEVER! What if the protagonist is female? Does that make a difference?

Probably not but this movie does have credibility as a character study. Sure the dangers of social media are displayed (becoming obsessed with an influencer and your private information falling into the wrong hands) but this is really an examination about an unhappy person and the lengths they would go to to show they have a fun and interesting life. It is cringey, it is a blackest of black comedies but there are moments that prove that when this movie hit, it knocks it out of the park (the final video scene ("I know there's something wrong with me...") being one example). And much of the movie rests on the shoulders of Aubrey Plaza - who, let's face it, is able to make a stalker character sympathetic. It's also great to see Elizabeth Olsen in a role that isn't Wanda Maximoff

The Living Daylights

And this week's Friday night movie has been... The Living Daylights!

Original image located here. Accessed 3rd September 2021

The journey through the James Bond series continues as I now enter the Timothy Dalton era.
Oh, Timothy Dalton - history has not been kind to this guy. Connery defined the role, Lazenby has his defenders, Moore has the longevity, Brosnan played the character like it was his life's ambition and Craig breathed new life into franchise. But Dalton? It seems he has been deemed the 'forgotten' Bond. Either that or at least a polarizing figure: Some say his movies were dour, other say he was the closest to the source material.
Personally, this is new territory for me as I have no previous experience with Dalton, so what do I think of his debut?

It's well documented that Dalton was committed on bringing his own spin on the character through having his portrayal be more true to Ian Fleming's books. As such, we have a Bond that is living on the edge, being all too aware that he can be taken out at any moment. It's an interesting take on the character (especially given that Dalton's predecessors never took this angle) and it certainly gives Dalton some credibility - I doubt anyone could make the words "Strawberry jam!" as intimidating as he can.
The problem is that Dalton's intentions don't really match the script. Sure the action sequences are great (this is a James Bond movie after all) but the script is all over the place. it is hard to follow with so many factions working off each other - which is unusual for a Bond film.
Still Dalton's presence and the actions sequences are indeed plenty enough to carry this movie. And this it seem that the 'forgotten' Bond has indeed something of his own to say

Sullivan's Travels

And this week's Friday night movie has been... Sullivan's Travels!

Original image located here. Accessed 27th August 2021

I will admit I have watched a lot of classic (as in pre-New Hollywood/1968) movies in recent months. But this is because that a lot of movies made recently are very much dour and socially conscious - one only needs to take a glance at the last lot of Academy Award nominees for Best Picture to see what i mean. Therefore, it should come to no surprise that i would come across this: A 1941 movie telling the story >of a filmmaker who wants to eschew making comedies in favor of making a socially conscious movie.

The march of time should be against this movie but it isn't. It is still funny, with witty dialogue, crazy situations and providing a solid case that slapstick can still work in 2021. Also impressive is how this movie switches gears and tackles a variety of movie genres throughout.
However it is of particular fascination that we have a character that wants to be serious but has to contend with a world that is working against him - I have seen this done many times before but here it works a treat.
I've never been sold on the narrative of: 'protagonist tries something new, only to fail and go back to old life' (and that's putting it lightly) but here it works. So it's a funny thing: A movie that came out eighty years ago, and has no doubt been replicated many times since, still has some bite that put's it progeny to shame. How about that....

The Suicide Squad

And this week's Friday night movie has been... The Suicide Squad!

Original image located here. Accessed 20th August 2021

I've never seen the original Suicide Squad - in all honesty, the backlash it received was enough to turn me off completely. But that places me in a position where I can judge this sequel/reboot on it's own terms and without any connection to it's predecessor.

Perhaps it is fitting that i should see James Gunn's earlier piece Super weeks prior because in a way, that movie is effectively a blueprint for this one. The only difference is, whereas Super is mean-spirited (even uncomfortably so) The Suicide Squad is less so. Sure it is loud, obnoxious, gory and has loads of profanity, but Gunn pulls the same trick he did with the Guardians of the Galaxy - that being taking characters that are lesser known, and hardly the type to be taken seriously, and making them work. And that certainly is a feat in itself. Sure Harley is the most recognizable face here (courtesy of the incomparable Margot Robbie) but the real stars are the rest of the Suicide Squad. Which is indeed saying something.
Obviously, the success of Guardians of the Galaxy netted Gunn the job of doing The Suicide Squad but for me, The Suicide Squad is clearly the work of someone who has been left off the leash and is going for it at full tilt.
So yeah, this movie was great and some truly demented fun.

So the big question now is what DC are going to do next. On one hand this movie, as well as Joker, proves that their movies can work well with the villains in mind - and that can't be underestimated.
But on the other hand, I have previously praised Shazam and Aquaman - and now, The Suicide Squad proves the notion that DC's movies can be successful if they take the characters that are either lesser known or not to be taken seriously and make them work.
Needless to say, it would be interesting to see what DC will take away from The Suicide Squad....

Space Jam A New Legacy

And this week's Friday night movie has been... Space Jam A New Legacy!

Original image located here. Accessed 13th August 2021

I should not like this movie. It has been said that this is less a movie and more an ad. And that many of the jokes are out of date. And it completely ditched the characterization of Lola Bunny provided by the Looney Tunes Show. And it operates at the pace of Sonic the Hedgehog on red cordial. And I can't escape the feeling that this was done by someone who really wanted to rewrite the narrative of 'Space Jam < Looney Tunes: Back in Action'

And while such criticisms are indeed valid, I couldn't help but enjoy this movie. I did enjoy picking out some familiar faces in the crowd scenes. I did enjoy LeBron Jame's presence. I did enjoy the humour that made me love Looney Tunes as a kid. And I especially loved Don Cheadle, stealing every scene he was in. It may be easy to dismiss this movie has being soulless but I can't say it was half-arsed (if that makes any sense).
So in the end, given the recent trend of movies leaning towards the socially conscious, perhaps there is something to be said about a movie that wants nothing more than to make it;s audience laugh.

For Your Eyes Only

And this week's Friday night movie has been... For Your Eyes Only!

Original image located here. Accessed 6th August 2021

As stated previously, one reason i have been watching more James Bond movies this year is that I have seen many of them in bits and pieces but few of them all the way through. And For Your Eyes Only was one of the former. True i have been saying I've seen it but it wasn't in it's entirety - and that struck me is being very dishonest. So time to rectify such a situation.

So what can i say about this one? Well, it's well and truly one of the highpoints of the Moore era. Roger is in suburb form with his quips and the action sequences are excellent. The Greek scenery is great and the final assault on Kristatos' (Pycelle!!!) lair.
It is well documented that this was intended to bring Bond down to earth after some truly fantastical adventures and to that end, it was a successful one. And it certainly is proof that the sensibilities of the Connery era can indeed work in the early eighties.

Super

And this week's Friday night movie has been... Super!

Original image located here. Accessed 30th July 2021

The new Suicide Squad movie is right around the corner so it is fitting that i should watch this earlier effort from director James Gunn: A parody of super hero movies that never, as I was led to believe, forgets it's a comedy. Or something.

Simply put: This movie is insane. Having said however, that isn't in a good way. On one hand, the black comedy has some appeal, Boltie is a riot, and the lead character is shown in a sympathetic light. But on the other hand, the violence is indeed tough to stomach, there is indeed a sense of mean-spirited-ness at play and some moments (like the final confrontation) fall drastically flat. I will give props to Gunn for clearly trying to throw a challenge to the superhero genre but somehow I can't shake the feeling that this type of thing was done later, and better, by the likes of Deadpool and Joker. As such, Super does come across as being the equivalent of 'talking a lot but no saying anything'
Close but no cigar

The Five Year Engagement

And this week's Friday night movie has been... The Five Year Engagement!

Original image located here. Accessed 23rd July 2021

Well I'm well and truly on my way to the alter so i was in the mood for watching a wedding movie.

Sure, some of the jokes were hit and miss, and you could've easily shaved ten (or even twenty) minutes off the movie. But this has credibility as a rom-com as we see the ups and down of a relationship from the proposal to the wedding itself - which is rarely seen in such a genre. Indeed, it may be easy to dump on the rom-com as a genre but I will certainly take any such movie if it does things differently and has a depth to match - This movie does indeed deliver. It also helps that both Emily Blunt and Jason Segel make a convincing couple
Plus it's funny to see a pre-Guardians of the Galaxy Chris Pratt and a pre-Fifty Shades of Grey Dakota Johnson. XD

Black Widow

And this week's Friday night movie has been... Black Widow!

Original image located here. Accessed 16th July 2021

It has been quite some time since the last MCU movie. They have been churned out regularly to a point where to go a long time without a MCU movie does indeed create a notable absence.
As such, it would be easy to lavish praise on this in the sense that absence makes the heart go fonder.

But truth be told, this movie rises above such a cheap tactic and stands on it's own two feet. I won;t say this is a spy movie - instead I would call it an action movie and it does so with flair. It's great to see Natasha have a movie all to herself and the new characters are far from dull (especially the Red Guardian stealing every scene he's in).
I've heard some say this is a disappointment but somehow I never got that vibe.

Stone

And this week's Friday night movie has been... Stone!

Original image located here. Accessed 9th July 2021

For my non-Australian readers, that title may seem unfamiliar. However, it should be noted that this movie is a product of it's time: It came out in the 1970s when Australian cinema was experiencing a fertile period and was coming into it's own.
And from this period came Stone: one of the more famous/infamous movies which told the story of an undercover cop infiltrating a biker gang (and not to give too much away but it goes as well as one might expect)

It should come to no surprise that this is a brutal film. Granted I may have seen worse, but this is still a brutal film. It's clearly shot on a tiny budget, the violence is tough to stomach and the characters are definitely people you wouldn't want to look at. And yet there are moments of beauty (the beach swim scene and the oft-referred funeral procession).
It's not an attractive film but I can't say it was dull.

Live and Let Die

And this week's Friday night movie has been... Live and Let Die!

Original image located here. Accessed 2th July 2021

The goal of watching more James Bond movies continues as we now enter the Roger Moore era. For many people, this era gave us one of the more recognizable Bonds (with Moore doing seven of them). However at the same time, this is the point where Bond started taking deviations into the silly and preposterous. And a cynic would say this is the point where the threat of formula truly takes root.

Apparently prior to this movie the James Bond franchise hit something of a slump - that was until Moore stepped in turned things around. And who can argue? He hits the ground running, showing the debonair class and witty one-liners that one would associate with the character (perhaps moreso than Connery did). Also of note is his astonishing ability to be completely unflappable in any situation (was that why this series eventually descended into nonsense?). Throw in some decent gags, some great action sequences, a terrific boat chase, one of the best Bond themes and Solitaire, and it becomes clear that Moore has come out with gun blazing.

The Treasure of the Sierra Madre

And this week's Friday night movie has been... The Treasure of the Sierra Madre!

Original image located here. Accessed 25th June 2021

Its difficult to assess a classic movie like this (classic as in pre-New Hollywood era). The problem being? Much has been written about such movies in the decades since their release that it's difficult to come up with something new. Indeed, if people are still talking about Shrek in 2021, it would be interesting to see if they will have something new to say about in 2051.

In all honesty, there's not a lot I can say about this movie: It's a fascinating study of paranoia, greed and seeing how these three guys are playing off each other. Everyone involved here - particularly actors Humphrey Bogart and Walter Huston and Director John Huston - are at the top of their game.
And it is noteworthy of having the "laughter of the Damned' at the end: The kind of laughter one has borne of the frustration of trying to make some headway in the world but not succeeding (a laughter i know all too well).

Russian Ark

And this week's Friday night movie has been... Russian Ark!

Original image located here. Accessed 28th May 2021

Once upon a time, i started this movie but, for whatever reason, I never got around to finishing it. Well, today's the day I rectify such a situation.
When this came out, much was made of the technical prowess of this film: It's one mammoth, 90 minute single shot movie. No edits and no interruptions. Well, given the passage of time and nearly two decades of advancement in film-making, has time worn done Russian Ark?

Apparently not. The technical nature of the film is nothing less than astonishing. Get past the nature of a single unedited shot and we see incredible sets, a cast of thousands, some magnificent recreations of Czarist Russia and a unbeatable homage to history. Indeed, I have seen many beautiful looking movies in this lifetime and Russian Ark could sit comfortably in the upper regions of such a list
Sure it may have been a challenge to get through at times but in the end the challenge was well and truly worth it.

Rashomon

And this week's Friday night movie has been... Rashomon!

Original image located here. Accessed 11th June 2021

I walk into my local library without any intention to borrow anything and yet i walk out with a DVD of this movie. How strange it is that I partake in an antiqued act that should have died with Blockbuster.
But how could i refuse? This is one of the all time classics - one that announced Japanese cinema to the world and gave us the trope of the same situation retold by multiple unreliable narrators.

And it would appear that seventy one years has not tarnished this film at all. It is gripping, well-directed and beautifully shot. And it is shining example of what one can do with a small cast and an even smaller number of locations (one can imagine many a independent/budding filmmaker watching this and taking notes). It may be bleak when compared to Akira Kurosawa's other masterwork - The Seven Samurai - but it still has his humanist approach and his eye for sword battles

On Her Majesty's Secret Service

And this week's Friday night movie has been... On Her Majesty's Secret Service!

Original image located here. Accessed 4th June 2021

Behold George Lazenby. The first successor to the role Sean Connery made his own and the least of the actors to play James Bond.
I can't say i was looking forward to this one: For many years Lazenby has borne the brunt of a lot of hate, being the worst of the six Bond actors, a one-hit wonder and the weak link in a chain of excellence.
But in more recent years, he's gone under something of a rehabilitation: many people are now pointing to On Her Majesty's Secret Service as the best Bond movie and citing that the movie represents an evolution in the character of Bond - which wouldn't have worked with the self-assurance that Connery used to define the role.

Well I do agree: This does indeed show Bond in a different light in that he's allowed to be vulnerable: he is frequently shown to be in danger (and certainly shown to be afraid for his life) and he has some great scenes with Tracey. It may be easy to dismiss Lazenby for his limited acting skills but it's not to the detriment of the movie - his scenes with Tracey sparkle with chemistry and you can't say he doesn't nail the final, gut-punching scene.
Other than that, everything here shows a Bond movie firing on all cylinders: Tracey is a compelling character played by Diana Rigg (Olenna Tyrell!). The Swiss alps make for a beautiful setting. The action sequences are existing and fast paced. Telly Savalas makes an engaging Blofeld. And Peter R. Hunt makes for a great director (shame he didn't do any more Bond movies).
So is On Her Majesty's Secret Service the blemish on the series that is often made out to be? I don't think so. If anything, there's a lot going for it - which makes stand proudly amongst the best.
And damn, that final gut-punching scene....

Silverado

And this week's Friday night movie has been... Silverado!

Original image located here. Accessed 28th May 2021

I enjoy westerns. They continue to be one of my favorite movie genres and one I keep returning to. However, what is of particular interest is that this genre is, more or less, a dead one. Whilst westerns may have been abundant in the pre-sixties era of filmmaking, they had fallen seriously out of favour since. Aside from moments of reinvention (ie The Wild Bunch and The Good The Bad and The Ugly) and some genuine gems (Unforgiven), the western has never enjoyed the attention it once did and now looks like quite the antique. And it is interesting to see if a similar fate awaits other movie genres (rom-coms anyone?).

Which brings me to Silverado. A western made in the eighties and a clear attempt to breathe new life into a dead genre. That much is obvious given we see some stars of the day cast against type (Kevin Costner being an energetic loose cannon; John Cleese being a sheriff; Jeff Goldblum being a shady gambler) and there is some real love for the genre, and westerns past, being put to good use. And perhaps that is this movie's greatest strength: it ditches the revisionist approach of post-sixties westerns in favour of a more earnest approach, which celebrates the genre. Sure all the familiar tropes are here but that's kind of the point. And I surely can't be the only one who was reminded of High Noon in the final showdown.
But considering that this movie was written and directed by Lawrence Kasdan - who come to prominence through his work on Star Wars (Empire Strikes Back) - a saga built on a movie which was a celebration of one's love of movies, should this come as a surprise?

A Streetcar Named Desire

And this week's Friday night movie has been... A Streetcar Named Desire!

Original image located here. Accessed 21st May 2021

It's one of the most famous movies ever made - and yet i only know of it because a) it was parodied in an episode of The Simpsons and b) it apparently made an impression on one Tommy Wiseau.

Once again, it is difficult to assess something like this: It has been referenced and parodied so many times that the orignal comes across as being somewhat devoid of the bite it originally had. Much has been written about how this was a career-defining film for Marlon Brando, with his acting skills ("Stell-AAAHHH!!!!") and the image of him in a t-shirt two sizes too small.
But saying that this movie catapulted Brando into superstardom overshadows the fact that this movie really is about one woman's descent into madness. As such, this movie really is Vivien Leigh's show all the way. Seventy years on and she is still a presence in this movie, giving it her all and still maintaining audience interest. And hey, lest we forget it was Leigh that won the Oscar for this film. not Brando.
So in the end, I always find it a gamble to visit a movie from the Pre-New Hollywood era as they tend to be tarnished by both age and being replicated by its students. But this one? Still has a spark. And that's saying something

John Wick 3

And this week's Friday night movie has been... John Wick Chapter 3: Parabellum!

Original image located here. Accessed 14th May 2021

It's the third movie in this series, meaning that i am officially up to date and therefore well-prepared when the fourth movie rolls around.
Really there isn't much to say about this series at this point: John Wick is still a seemingly unstoppable assassin with a awe-inspiring reputation; the body count is ridiculously large and the action sequences are astonishing to say the least.
However I do like the female characters brought forward: I like Halle Berry's spin as Sofia (you can just tell these movies were written by a dog lover). I must admit that Asia Kate Dillon has a presence as the Adjudicator. And I found Anjelica Houston unrecognizable as The Director.
In fact, it is surprising that this series has quite the mileage with having it's cast in unrecognizable roles - seriously I never knew Jerome Flynn was present until the end credits. And it is indeed proof that this series has a secret weapon to it's tried and tested formula.

You Only Live Twice

And this week's Friday night movie has been... You Only Live Twice!

Original image located here. Accessed 7th May 2021

The plan to watch more James Bond movies continues.
I hadn't planned on seeing this. That was until i realised that this movie was written by one of my literacy heroes: Mr Roald Dahl. Roald Dahl writing James Bond? That seems like a combination that's too good to be true!

As it happens, this movie is not well liked by some Bond fans. Not sure why because there is a lot going for this movie. The location footage in Japan is great. The Little Nellie is fantastic. The set design is extraordinary (particularly the lair at the film's climax). The Final fight scene is one of the finest action sequences ever conceived. We have a face reveal of Blofeld and Tiger Tanaka is a great character. So what's the problem?
Okay sure the formula is clearly setting in, sure Connery may be phoning his performance in and Bond's Japanese disguise makes him look like a Romulan but are those enough to be a deal-breaker? I don't think so.
And in the terms of this series, You Only Live Twice does indeed serve as a good way to farewell the Connery era. Which means starting next month, we start taking a look at his successors.

The Professionals

And this week's Friday night movie has been... The Professionals!

Original image located here. Accessed 30th April 2021

I have previously expressed a keen interest in the western genre and that interest has never dulled over the years. So here's a look at a western from the 1960s.
I know my film history and I can say that the sixties were an interesting time for the western. The decade was one where the genre going well out of fashion - which in turn offered a sense of reinvention accepted by the likes of Sergio Leone and Sam Peckinpah (in the form of The Good the Bad & the Ugly and The Wild Bunch respectively).

And it is in this period of reinvention that The Professionals sits comfortably. Compared to it's earlier brethren this film does indeed have a sense of grittiness and realism that is rarely found in the genre. There are indeed some great action sequences, more explosions than one would expect in a western and some characters with depth. But, as with many westerns, the real star is cinematography, which makes the scenery never dull and is always handled to it's best.
It may be overlooked when compared to other westerns of this era but that doesn't mean the Professionals is an worthy entrant to this genre.

Flash Gordon

And this week's Friday night movie has been... Flash Gordon!

Original image located here. Accessed 23rd April 2021

Consider this the antithesis to the dour stuff I have been watching these past few weeks.
Lets be honest here: The only reason i know this film exists is through the Queen connection ("Flash! A-HAAA!!). And it would be safe to say that I'm not the only one. Still Flash is - apparently - the king of the impossible and the savior of the universe so that was a least worth a look.

So let's not kid ourselves. This is b-grade fare: The colours are garish, the effects cheap, the acting constantly swinging between wooden and hammy, and the whole thing was laughable, even with the passage of forty one years. Still i can't say it was dull. And it is proof that adding Brian Blessed to anything will increase it's awesomeness tenfold.
And hey, the music was great

John Wick 2

And this week's Friday night movie has been... John Wick Chapter 2!

Original image located here. Accessed 16th April 2021

It may seem something of a double standard to watch this, a sequel to a revenge thriller, having said some less than glowing things about Promising Young Woman the week before. However, whilst what I said about Promising Young Woman may paint a picture of a movie that is at odds with itself, that is not the case here. John Wick Chapter 2 knows exactly what is and you, the audience member, had better believe it.

And much like any sequel, John Wick Chapter 2 knows what worked with it predecessor and builds upon it. But let's not kid ourselves: Clearly the John Wick movies thrive on the action sequences, delivering such scenes that are well-choreographed and never dull. Keanu Reeves still delivers with this character and there is a real interesting set up for the third movie.
Thing is though, this may all sound like good things but that is pretty much it: There are are some indeed slow moments in this movie but they do indeed seem out of place. And the whole 'former-assassin-struggling-to-retain-humanity' shtick from the first movie is downplayed. Which is shame seeing as it contributed a lot to the first movie being so compelling.
Still, I can't say this movie was boring. So it remains to be seen what the third movie can dish up....

Promising Young Woman

And this week's Friday night movie has been... Promising Young Woman!

Original image located here. Accessed 9th April 2021

Okay so I'm going to have to think about this one so hold on...
*Sounds of the Alchemist venturing off into the wilderness*
*37 days later*
*Sounds of the Alchemist returning from the wilderness*
....Ermmm.....

It seems to me you can't criticise this movie because doing so will only reinforce the points it is trying to get across
Still, I have the feeling this was made for a particular audience. One that does not include me.
Oh well....

Thunderball

And this week's Friday night movie has been... Thunderball!

Original image located here. Accessed 2nd April 2021

That title is misleading: perhaps I should start using the phrasing: 'This Month's James Bond Movie has been..'. Only that idea sounds completely dumb.

Anywho, one reason why i am watching more James Bond movies in 2021, is that I have seen bits and pieces of some but not all the way through. Therefore, watching a complete James Bond movie presents an opportunity to address some unfinished business. And Thunderball is indeed such a movie.
During the late eighties i came home from school one day to find my father who had stayed home from work on the account of being unwell. And he was watching a movie which featured some divers engaged in underwater combat. At the time, I had no idea what i was watching but i distinctly remember being mesmerized by the action taking place before me. It was exciting, gripping and was able to draw tension from a seemingly harmless situation. I also recall seeing the escape via jetpack at the start of the movie.
Of course, I would eventually find out that this was indeed a James Bond movie. So to watch Thunderball now is to revisit something that made a significant impression on me.

Unfortunately, this has so far proven to be the weakest of the Connery era. Many of the characters are dull & inconsequential, the plot is meandering & boring, the climax suffers from some bad editing decisions and the moments of gold are few and far between. Still Connery continues to be in fine form - as he no doubt has the character down pat by now - and the underwater sections are still impressive.
At least now i can say that I know which movie had those underwater combat scenes

K-On the movie

And this week's Friday night movie has been... K-On the movie!

Original image located here. Accessed 26th March 2021

Yes, it's another trip to the anime well - and again, it's one prompted by my now wife-to-be.
Mind you, the last three movies I've watched have been action movies so nothing wrong with having some levity.
I can't say I'm a fan of K-On: I tried watching the first season but it didn't work for me. But on Kiera's recommendation I had a shot at the second season and now this: the movie which effectively closes the series.

As is often the case with movies based on popular TV series, this is one for the fans. If you liked the series, good news! You get to see these characters doing more of the same only it's stretched out to under two hours! But if you didn't like the series, well, you're going to be lost. And confused. And, dare I say, frustrated.
So in the end, those on board the K-On train will love it. Those not on board will find little to change their opinion. And the world will continue turning.
Still, at least the movie included 'Gohan wa Okazu '.

Expendables 3

And this week's Friday night movie has been... The Expendables 3!

Original image located here. Accessed 19th March 2021

As a film franchise, i have had an odd relationship with the Expendables: I saw the second one first (!) at the cinema and thought it was a lot of fun. Then I saw the first one and found it rather grim.
So what of the third one? Going into it, I found it presented something of a paradox: It appears that the people who liked the first two movies hated the third one whilst the people who hated the first two movies liked the third one.

Personally, i knew what i was getting myself into: This was going to another action movie devoid of depth and consisting of set pieces that are more ludicrous than the one's proceeding. And what do you know: That's exactly what i got. But hey, I like a movie that knows what it's doing and doesn't try to be anything else.
So really this movie follows the formula that made it's predecessors successful: In-jokes, an ensemble cast where everyone gets their moment to shine, the afore-mentioned action sequences, and a sense that everyone involved is a) having the time of their lives and b) more or less playing themselves. Of particular note, is Antonio Banderas, stealing every scene he is in and playing up the whole 'world's friendliest mercenary' shtick.
It may be an action movie of the 'big and dumb' variety but I can't say it was boring.

Mind you, it has been nearly a decade since this movie and promises of followups (Expendables 4 and an all female spin-off Expendabelles) have yet to deliver fruit. Personally I hope we're kept waiting much longer because there certainly is a lot that can be done with this franchise and these characters so I'm for it.