Winnie the Pooh

   And this week's Friday night movie has been... Winnie the Pooh!

Original image located here. Accessed 14th August 2026

Well I saw the Many Adventures of Winnie the Pooh last week so it is only fitting that I follow it up with this 2011 effort. 
It would be easy to write this off as a remake of the preceding movie given it takes the same approach: Use the source material and throw in zany sight gags, lean on the naivety of these characters, break the borderline between the animation and the text, show off the playful nature of the animation and all wrap it up in a big bow of cosiness. 
But if it worked the first time, there's no reason why it won't the second. 

Really there's not much else I can add; This was a lot of fun to watch and whilst it seemed a repeat of the Many Adventures it never came across as a problem (which, lets face it, is a difficult trick to pull off). 

Although I am convinced that Pooh's love of honey is so great he may require professional help...

The Wolf of Wall Street

  And this week's Friday night movie has been.....The Wolf of Wall Street!

Original image located here. Accessed 31st July 2026

Behold: Another exploration into the filmography of one Martin Scorsese. And it seems this has become one of his best known films in recent years (least not for being the breakthrough role for one Margot Robbie). 

I have seen a number of Scorsese films but seeing this gave the impression that I was still unprepared to see it. It certainly is impressive to see this move as a series of events that get progressive more insane and chaotic the further the film goes on.
The problem is, at least to me, that's all there is. We're watching a guy become ridiculously wealthy through being a stockbroker and committing acts that are both heinous and deplorable along the way. 
Sure it may be fun to see this movie goes next and sure this lifestyle shown may look attractive to some but what is this movie? A biopic? A satire? A cautionary tale? 
I'm not sure myself but what I DO know is this movie left me cold. Sure there are some stand-out moments but I'm not sure what this movie wants from me. 
Oh well....

Phil Ochs: There but for Fortune

  And this week's Friday night movie has been.....Phil Ochs: There but for Fortune!

Original image located here. Accessed 24th July 2026

Anyone heard of this? It's a 2010 documentary about the 1960s folk/protest singer Phil Ochs. 
I came across Phil Ochs in an interesting way: I have a big book on popular music and, while making my way through the 'O' section, I came across this name. What stood out for me was the story of himself: He made a name for himself as a folk singer, was unfairly pegged as 'second best' to Bob Dylan, was written off the critics and sadly met a tragic end - only to be acknowledged years later for his songwriting and willingness to stand for cause. Indeed, a tale worthy of Hollywood.
And so we come to this: a documentary on Phil and his life, with contributions from admirers such as Joan Baez, Van Dyke Parks, Billy Bragg, Jello Biafra, Sean Penn and Christopher Hitchens. Certainly prior I had never heard of Ochs' music but clearly he's a big deal. 

It's a given that this is a documentary takes us through Phil's tumultuous life. What is fascinating is how it parallels with the events in the world around him. As such, we see Phil make a name of himself with his songs based on what he sees at the time, his sense of humour and willingness to stand for many a cause, his belief his song-writing could make a difference, his gradual disillusionment with Kennedy's passing and Nixon's election, and his gradual decline professionally and mentally.

Needles to say, this documentary goes a long way in explaining Phil as a person and what he stood for. True we know how the story ends and his decline is tough to watch, but in the end, his music endures as does his passion to stand for what he believes in. 
We can all learn a lot from that.

The Peanuts Movie

And this week's Friday night movie has been... The Peanuts Movie!

Original image located here. Accessed 3rd July 2026

Its another one I have been putting off for a long time. 
I adored Peanuts when I was a kid. At the time, I revelled in Snoopy's personality - whilst struggling to connect with Charlie Brown. And yet, an adult perspective showed that this was a brutally honest comic strip: It may be easy to write Charlie Brown off as the eternal punching bag but there is something to be said about giving it your all no matter what adversity throws at you. Sure, one will say that giving up something one clearly isn't good at is a determination that is either blind or stoic but the refusal to pack it is admirable. 

Needless to say, this was very much in tune with the source material. Some absolute belly laughs, imaginative animation, countless references for the long-time devotees of Peanuts and the ever-present honesty that made the original strip work. And once again, Charlie Brown's everyman quality ultimately drives the whole thing.
And hey, haven't we all, at some stage, felt like the whole world is conspiring against us? 

Mad Max: Fury Road

And this week's Friday night movie has been... Mad Max: Fury Road!

Original image located here. Accessed 26th June 2026

Well, I've put this one off for long enough.

I have something of a history with the Mad Max movies. I knew of them when I was a kid, knowing enough of them that they consisted of violence, car chases, deserts and people with strange names. Clearly this was something for adults.
Nevertheless I did get my first experience with the Mad Max movies when I saw the Road Warrior in my tween years (!!!). Granted it is questionable if I should've been watching it in the first place but it is difficult to deny that it was, and still is, one of the greatest action movies ever made. And it isn't hard to see the Road Warrior as being the face that launched a thousand ships and inspired a whole host of imitators - indeed, it's doubtful the Warhammer 40,000 universe would exist without it. 
Years later, I got to see the sequel, Beyond Thunderdome. And a funny thing happened: Whereas The Road Warrior was a film tween me shouldn't have been watching, Beyond Thunderdome came across as more kid-friendly - especially in the second half. But, irony of ironies, I hated it. Okay sure it was fun to see Angry Anderson and Tina Turner hamming it up, sure the ideas of rebuilding and a cargo cult were interesting but this was devoid of the bleakness that made the Mad Max films what they were. Would I dare suggest said identity was softened? 
And finally when I reached adulthood, I got to see the first Mad Max movie. In retrospect, it was certainly a world apart from its younger brethren but still very impressive as a low budget feature. 

So, preamble over: I knew very well what I was getting myself in for when I got off my lazy arse and watched this. So what is there to say? 
Violence, car chases, deserts and people with strange names. And it was utterly deranged.
So yeah, this is very much a Mad Max movie. 
And it was frickin' great. 
Pretty much all there needs to be said, really.

Lincoln

 And this week's Friday night movie has been.....Lincoln!

Original image located here. Accessed 19th June 2026

Yep, another movie that had success in it's day but somehow passed me by. But then again, does anyone really care when you come to a movie?

You know, if you're going to make a movie about one of the most beloved US Presidents, then you may as well go all out and get the best people for the job: Steven Spielberg in the directors chair, John Williams for the score, Tony Kushner for the screenwriting, Janusz Kaminski for photography and as many character actors as one can muster. But really this is all Daniel Day-Lewis' show: He breathes new life into Lincoln, changing the perception of an actor inhabiting a role and into flat-out resurrection. 
I've heard that both Day-Lewis and Spielberg invested a lot of research into the Honest Abe and it shows. The Lincoln here has plenty of humanity brought to the forefront and is intent on breaking down the myth to show the man. 

As for the rest of the film, it's a mixed bag: On one hand it, there are signs it's operating like a heist movie with the 13th Amendment being the prize. But on another, it is political drama with all the skulduggery that comes with it.
But this is clearly the most Oscar-bait of movies, as it ticks all the right boxes: It is a historical drama. It has a lead with proven Oscar success. It has a stacked cast. It is telling the inspiring story of someone who changed history, stuck up for the oppressed and had to evade the nay-sayers to do so. 
Given such observations, they are hard to avoid and did effect my enjoyment of this movie. 

But let's be honest: is Day-Lewis' performance enough to make this film? Damn straight it is. 

The Hunt

And this week's Friday night movie has been... The Hunt!

Original image located here. Accessed 12th June 2026

This came recommended to me. So may as well take a look.
So what we have here is a Danish film wherein a school teacher is accused by one of his students for something heinous. The accusation is false but this movie is more concerned as to what happens next.

Clearly this movie is one intent on raising questions: We see the teacher's life collapse, the community turn against him and the words of the accuser flip-flop between truth and dishonesty. The answers aren't always clear, favouring instead to let the audience make up their own mind.

Personally I find this movie was at it's most compelling in showing how a community turns on someone. And it is done with a cold ruthlessness: No indication that this was a bunch of people circling like sharks waiting for blood in the water; no stopping to consider any discrepancies in the child's account; no pausing to stop paternal instincts to ponder on the consequences of one's actions.
Indeed it took me a while to realise there is little to no soundtrack in this movie, favouring instead to let the silence weigh in. 
And it's that coldness that makes this movie so striking. 

Also, if Die Hard is a Christmas movie does that mean this is a Christmas movie as well?

Interstellar

And this week's Friday night movie has been... Interstellar!

Original image located here. Accessed 22nd May 2026

This has been a long time coming. But now: No more excuses. I am going to sit though this and I will gleam something from it.
Hopefully.

When I was a kid, I often dreamed of leaving the earth and travelling the stars in a spaceship (as kids are often wont to do). Having seen this movie however such dreams now seem like several lifetimes away.

Okay serious now: I was impressed with this movie. Certainly this is a Christopher Nolan movie so one will expect a lot of dialogue and the cerebral elements pushed to eleven - to the point where they threaten to crush the rest of the movie. 
But what makes this movie work is the vision, the visual spectacle and how it takes the science seriously. Say what you like about Nolan's tendency to get behind material that is denser than lead, he sure knows how to craft an incredible movie.

Perhaps it is fitting that Nolan will go on to tackle The Odyssey as that too features a protagonist who takes a very long time to get home..... 

The Armstrong Lie

  And this week's Friday night movie has been... The Armstrong Lie!

Original image located here. Accessed 1st May 2026

Continuing on with my fascination with documentaries that started in one place only to end up somewhere different, we come to this: A documentary on notorious cyclist/drug cheat Lance Armstrong.
In 2009, documentarian Alex Gibney was working on a documentary on Armstrong but the project was brought to a halt due to his exposure as a dope cheat. However such footage did end up being used years later in this documentary - alongside new material Gibney shot with Armstrong in the wake of the collapse of both his career and reputation.

There are two narratives working here but both ultimately build a portrait of Armstrong. And it isn't a pretty one: A lack of a father in his life. A determination to win. A belief that losing is a fate worse than death. A resilience that walks hand in hand with malignity. A grip on the myth he created that is held like his life depended on it. 
Certainly the story - going from beating cancer to winning the most demanding sporting challenge in the world multiple times - is a strong one but this is still a glimpse into the mind of a villain: It's someone who wants to triumph and refuses to care about the damage wrought to get there. And perhaps that's where the strength of the documentary lies: That such villains exist in the world and that one is someone who got to the top through an astonishingly crafted deception. 

It may not make for a pretty viewing experience but it is a fascinating one. 

A Star is Born (2018)

 And this week's Friday night movie has been... A Star is Born (2018)!

Original image located here. Accessed 27th March 2026

AKA: The one with Lady Gaga in it.

Once again, the question I posed previously persists: Given that there are four versions of this movie, what is it about it that keeps bringing people back to it?
I have mentioned the potency of the source material, the potential for real-life parallels and how easily this movie can adapt to the times. But another reason comes to mind: The role of the female lead is one that any actress can really sink their teeth into - Indeed, it is telling that each remake is defined by who plays the female lead. I guess it's fair to say Judy Garland ended up setting a benchmark that many an actress has sought to match.

Of the four this is the most recent and, without a doubt, the one most people will be familiar with - after all, that's what star power does for you. So, lets bring this little experiment to a close.

Of the three predecessors, this one owes the most to the 1976 version. And it's not just the rock music framework: A lot of the plot points were reiterated quite closely. And that is odd given that each of the previous iteration has something of their own to say. It is telling that Jon Peters, producer of the 1976 version is also credited as producer here too (still no sign of a giant mechanical spider though).
Still, this does have what worked previously: The instance of a first timer with something to prove (director Bradley Cooper and star Lady Gaga) The real-life parallels with Cooper and Gaga showing chemistry both on and off screen and the implication of a rock star being surpassed by a modern form of pop music. 

But does this movie has something of it's own to say? Well yes: Lady Gaga delivers a stellar performance and her afore-mentioned chemistry Cooper does indeed sparkle. But hey, this is tried and tested material so you know it's going to work.  

Unforgiven

 And this week's Friday night movie has been... Unforgiven (2013)!

Original image located here. Accessed 20th February 2026

Hollywood has a reputation of taking movies that originated in Japan and remaking them - Seven Samurai and The Magnificent Seven being one such example. So what happens when it goes the other way?
This movie is a Japanese remake of the Clint Eastwood magnum opus (pun intended) of the same name. It takes a western and reworks it into a samurai setting. Well I rank Unforgiven as a long-standing favourite so this seems like a challenge worth rising up to. 

The first thing that leaps out is that this movie is set in the Meiji era, the period in Japanese history that saw the end of the samurai era and the beginning of modernisation (and would be very familiar to fans of Rurouni Kenshn). This also means that there are firearms in this movie but given that this is a remake of a western it somehow isn't surprising. It should also be noted that this is set in Hokkaido which is a setting never really addressed in many Japanese films (most likely due it having it's own can of worms but that's another story). 
So how does this stack up against the original? Well like any remake it can't really escape the shadow of the original. And to that end, it does follow the plot of the original closely. It also shares some truly stunning imagery - and even replicates some shots wholesale. And it certainly understands what made the original work - even if there is somewhat less subtlety and the ending was altered. 
Still this was a compelling watch and I'm glad I saw it. 

Revenge of Bridesmaids

And this week's Friday night movie has been... Revenge of the Bridesmaids!

Original image located here. Accessed 6th February 2026

Sometimes a movie sneaks into your 'To-Watch' list and you forget why you put it there in the first place. Still, I'm not afraid to step out of my comfort zone and watch something I wouldn't normally consider so here we go. But hey, with a title like that you can't be at least a little curious. 
From the outset this is the story of how some ladies get invited to the wedding of a (not really) friend and the hijinks they get up to. Sounds like an excuse for some bitchiness right?

Well not quite. Yes this movie is clearly a TV-movie (to the point of painful), yes this movie is obviously done on the cheap and yes, the editing is all-over the shop. But hey: This movie was a lot of fun to watch and had some really good jokes.
And also props to showing a female bond on-screen where they are there for each other and are willing to stand up for each other. So much so, I think this should be studied...

Doctor Sleep

And this week's Friday night movie has been... Doctor Sleep!

Original image located here. Accessed 24th October 2025

Well I've seen The Shining. So let's talk about the adaptation of the sequel to that novel.

From the outset, this film is a contradiction: It looks like a horror movie but it is more a thriller. It is marketed as a sequel to the movie adaptation but can't decide whether to be a separate entity or be in reverence. It is a sequel to a movie adaptation but the original was majorly divorced from the source material. It is an adaptation of a sequel to a book that was adapted but this adaptation is still focused on the adaptation of it's predecessor and through writing this sentence I think I have fallen into some sort of singularity here.

But if the above paragraph seems confused then that's exactly the vibe I'm getting from this movie. There are some good ideas throughout but they just seem so all over the place and difficult to connect with. Matters aren't helped with a complete disregard for the subtlety that made The Shining so compelling. 

The Revenge Artist

  And this week's Friday night movie has been... The Revenge Artist (M.F.A.)!

Original image located here. Accessed 19th September 2025

I may have said some less than favourable things about Promising Young Woman but if it wasn't for that movie, I wouldn't have heard about this one: Some have claimed that this 2017 movie addressed the same themes as Promising Young Woman and did it better. Sounds like a challenge to me: I'm in!

Of course getting a hold of this movie was one thing, sitting down and watching it was another. I will admit that the similarities to Promising Young Woman are evident but this comes across as the cheaper and nastier cousin.
And that is the strength of this movie: It's honest. It is uncomfortable, it doesn't shy away from the SA scenes, it addresses the effects of SA, it calls out ignorance and inaction, and it is focused. It also helps it has a compelling lead in Francesca Eastwood, who clearly takes after her dad. 

It wasn't an easy watch but it certainly was compelling. 

Mr Peabody and Sherman

And this week's Friday night movie has been... Mr Peabody and Sherman!

Original image located here. Accessed 11th April 2025

I watched a lot of Rocky and Bullwinkle when I was a kid. So I was already familiar with these characters and their shtick. Needless to say, I was perplexed to see that someone decided that these two should have their own full-length feature. I mean, is this the type of thing that will sell to the kids of the 2010s, let alone anyone who was a kid in the 1950s?

So it seems that I needn't have worried: This was hilarious with some real laugh-out-loud jokes, snappy dialogue, some clever use of visuals, gags that are anything but archaic, and some actual heart - not to mention various allusions to the source material. It is like that the makers realised that this wasn't that big a property so they had the freedom to do whatever they wanted - and so they ran with that.

Like I said I had no idea who green-lit this but I never would've guessed it produced such a gem. 

The Queen of Versailles

And this week's Friday night movie has been... The Queen of Versailles!

Original image located here. Accessed 4th April 2025

It seems this year that I have been, once a month, watching a documentary, that started in one direction but ended up in a completely different direction. So lets keep that particular train going.

This documentary is a fascinating one as it tells a familiar story: A couple are intent on building their dream house but, due to meddling from the bank, they are forced to abandon this plan and settle for something smaller. So what makes this story different? The couple in question are an excessively wealthy businessman and his trophy wife: David and Jackie Siegel. 

So whilst this documentary starts with their original plan - a monumental mansion inspired by the Palace of Versailles - what happens next has such plans going belly-up with the financial crash of 2008 and these two settling for something lesser.
Now given that the super wealthy are hardly flavour of the month material at the moment, is this documentary condemning or sympathetic? The answer is both. Yes this couple make some poor spending decisions (especially Jackie), yes they have an oblivious approach to their situation, and yes they are effectively living in their own super-wealthy bubble. But at the same time, they are facing a lot of problems that the rest of us will face: limited funds, struggling to pay off debts and longing for a financial breakthrough. 

Make no mistake: These people are pretty much awful people who do dumb things and have a limited view of the world. And yet seeing them humbled in such a manner one can't help but feel sense of sympathy.
Maybe not a lot but its there.

Parasite

  And this week's Friday night movie has been... Parasite!

Original image located here. Accessed 29th November 2024

Best Picture Oscar winner no.: 92 (2019)

It may be easy to mock the Oscars for getting it wrong and going for the 'safe' option. So credit is credit due when the Academy shows some stones and laud the nastier, less-audience-friendly choice.
Not much I can say really: This may have been the apex of the 'message' era/2010s of Best Picture winners. And certainly representative of the 'eat the rich' mindset that has emerged in recent years.

But the movie itself? It's a pitch black comedy and just the way I like it. Unforgettable imagery, strung out tension, delicious ironies, and a sense that one is never sure how this movie is going turn out.
Clearly movies never get better than this. 

Moonlight

 And this week's Friday night movie has been... La La L-sorry, Moonlight!

Original image located here. Accessed 22nd November 2024

Best Picture Oscar winner no.: 89 (2016)

I have spoken many times how I doubt the movie-going public will ever forgive Shakespeare in Love for winning Best Picture over Saving Private Ryan. So how does said public feel about Moonlight winning over La La Land? Granted the circumstances of that victory were different but it isn't much of a stretch to imagine at least some bitterness.
But in a way, perhaps it was fitting that Moonlight won instead of La La Land as it represented a change of the times: The musical - a genre that has been a tried and tested Oscar winner - lost out to something different and radical.

I said last week that the 2010s represented a time when message movies were gaining traction at the Oscars and this is no different. It shows the life of a gay black man, from childhood to adulthood. Granted such experiences are completely foreign to my own but I was still very impressed with this movie. It certainly has a sense of solemnity to it that is akin to being in church and it is fascinating to see life play out in such a manner. It is also compelling to see one's choices in life and, at the end of the movie, the offering of the question of what one would do differently.

Really this movie is a triumph of taking very little and doing a lot with it. Indeed, there's something to be learned from that..

Spotlight

 And this week's Friday night movie has been... Spotlight!

Original image located here. Accessed 15th November 2024

Best Picture Oscar winner no.: 88 (2015)

It's quite daring to have this movie to win Best Picture. Not only was a small winner (it won only one other award) but it also faces down the Catholic church. But then again, this is the 2010s where message movies are the norm. 

However get past the first impressions and this film is remarkable: It less about condemnation and more about the journalistic team working to uncover this case. It is an ensemble drama with all present clearly working outside of their comfort zone and giving committed performances. Also it's nice to see Mark Ruffalo in a role that both isn't the Hulk and allows him to flex his acting muscles. 

So how does the Catholic church emerge from this? Well, they are largely unseen. Granted this is perhaps to make sure this movie got a major release but this narrative isn't about them: It's about the victims, having endured physical and spiritual abuse. It is a wise decision to not show the journalistic team in a heroic light and instead focus on the people they are trying to reach. Indeed, that list at the end does hit like a truck.

Truly a remarkable movie. 

Birdman

And this week's Friday night movie has been... Birdman (or the Unexpected Virtue of Ignorance)!

Original image located here. Accessed 11th November 2024

Best Picture Oscar winner no.: 87 (2014)

Clearly the major selling point of this movie was movie was it was shot in a way that conveys the impression it was done in one continuous take. A tall order since I saw, and adored, Russian Ark and that was the real deal. So what does this movie do?

Well the edits are there and you will need a sharp eye to spot them. But this is still a remarkable film: Sure the technological aspect of it is impressive but the real meat is the notion of a washed up actor who is trying to be taken seriously. Yes there is a thinly veiled dig at the MCU and the nods to Batman are hard to miss but this is still staggering in what it's conveying. 
When you see as many movies have I have it does get to a point where you see so much it's hard to see something that leaps out at you. Thankfully this is one such movie.