Where Eagles Dare

And this week's Friday night movie has been... Where Eagles Dare!

Original image located here. Accessed 25th April 2025

Should I be watching a war movie on Anzac Day? That's a very good question. Nevertheless, I have been wanting to see this for a long time so now is as good a time as any. I guess.

But no matter: This was gripping stuff, following a commando unit on a rescue mission. Richard Burton is certainly a presence and Clint Eastwood is effectively carrying over his Man With No Name persona into a different setting. The set pieces are great and there's some great actions scenes - not least that nail-biting sequence on the cable car. And there is some intrigue that one wouldn't find in a war movie - surprising but welcome. 

I've heard some comments comparing this to a James Bond movie but hey, whatever works. After all, anyone can come up with a war setting but it takes a visionary to do something different with it.

Oliver!

And this week's Friday night movie has been... Oliver!

Original image located here. Accessed 14th June 2024

Best Picture Oscar winner no.: 41 (1968)

When I was planning this year-long operation out, I was tossing up whether to include this movie in the schedule. But in the end, I remembered I have a resonance with Oliver as I have performed in the original musical on stage. So we're watching this then.
It's also worthy of note that this movie came out at the beginning of the New Hollywood era (1968-1980) which would make it the last of the old guard. With this in mind, it's strangely fitting that this movie won Best Picture over Bonnie and Clyde - the movie that is largely credited as being the starting point of the New Hollywood.

Given the source material, as in both the musical and Dickens' original text, it would be easy to dismiss this as an adaption and nothing more. And yet, there is much to admire here. The cast is fantastic with both the children and adults doing a top notch job. In particular, Oliver Reed is chilling as Bill Sykes and Ron Moody is fantastic as Fagin to the point of becoming the model for all to follow (why didn't he win the Oscar for Best Actor?). The musical sequences are all well done, the use of colour is superb and there is a solid balance of bright and dark to make this an ideal family movie. 

But in the end, as mentioned above, this is the last of the old guard. Watching this I can't help but feel this is a product of an engine running out of steam. Seems a change was needed.....

Will Penny

And this week's Friday Night movie has been... Will Penny!

Original image located here. Accessed 17th March 2023

As regular readers would know, I like a good western so we arrive at this: a 1968 western with Charlton Heston in the lead role. I can't say I care much for Heston (especially since his disastrous appearance on Bowling for Colombine) but he did single this movie out as his favourite role and the one he was most proud of. Well, sounds like a challenge to me..

In retrospect, there is no denying that this is Heston's show all the way. He has a commanding presence and certainly shows a degree of commitment. So much so, one would think that he is in a separate movie when compared to the antagonists. It has been observed that said villains are the clique version of the west whilst Heston's character represents the more actual representation - and that is one assessment I do agree with.
So what we have here is the story of an aging gunslinger who falls in with a woman and her son and subsequently gets a glimpse of a life he could've led. Certainly a compelling scenario and a lot is certainly done with it.
So yeah, good movie.

Night of the Living Dead

And this week's Friday night movie has been... Night of the Living Dead!

Original image located here. Accessed 2nd October 2020

Well it's become something of a tradition with this series that October is a month spent wholly committed to watching horror movies. And this year, we're kicking off the year's run with a swing for the fences: A movie that a launched a thousand zombie tropes.

I have spoken previously how intimidating it can be encountering a movie that stated a whole lotta trends: In such cases, the lessons this movie gave have been used and replicated so many times that to go back to the source can leave it with having less bite than it should have.
So is this movie dated? Yes. Is it clearly shot on the cheap? Of course. Does it still pack a punch over half a century later? I do believe it does. Stunning lightening, chilling atmosphere and being done straight-faced all add up to deliver a striking (and gory) whole.
Also of note is that this movie truly functions as the bridge between the horror movies of the pre-mid-sixties and the more modern horrors movies. Here the rules got re-written and have been studied extensively since.
There is a part of me that would say that this movie should not have the punch it does, given the passage of time and a horde of imitators that emerged in it's wake but somehow, it still does so.