A Star is Born (1976)

And this week's Friday night movie has been... A Star is Born (1976)!

Original image located here. Accessed 20th March 2026

AKA: The one with Barbra Streisand in it.

Let us, for a moment, go back to that question I posed last week: Given that Hollywood has produced four versions of this movie, what is it about A Star is Born that keeps bringing people back to it?
One likely reason is that it can easily be adapted to fit the times it was made: If the 1937 original was a snapshot of the Golden Era of Hollywood, and 1954 version came out at a time when musicals were popular, then this one brings something it's own to the table: It ditches the movie approach for one about music. In particular rock music and the industry attached. 

It may be a new approach but let's be honest here: This is all Streisand's show. She stars, is the executive producer, used her own clothes for her wardrobe (as the credits seem eager to point out) and has her then-hairdresser-turned-boyfriend Jon Peters as producer (well before his obsession with mechanical spiders). It would be easy to say this is her bid for some credibility/An Oscar, taking some tried-and-tested material and bringing her own stamp on it - but the question is, does it work? 

When I was a young lad in the nineties, I had a view of the seventies as being one borne of derision: There were hippies everywhere, the hair was bad, the fashion was worse and a lot of the music was over-produced and over-bearing. Granted such a perception was a product of a narrow one but I bring this up because this movie does nothing to challenge said perception. 
Sure the source material does translate well into a music environment, sure Kris Kristofferson plays the role of 'washed up and self destructive' rock star well, sure Streisand does indeed get chances to flex her vocal prowess (the final eight minutes being of particular note). But does this work as a whole? 
Honestly I'm torn here: For every strength this movie has, a weakness emerges: The Oreos. Streisand not quite cutting it is a rocker type. It's meandering nature. The aforementioned aesthetic. 

Still, there's always next week.....

Rocky

  And this week's Friday night movie has been... Rocky!

Original image located here. Accessed 12th July 2024

Best Picture Oscar winner no.: 49 (1976)

It's the ultimate underdog story: A guy who has lost his way is presented with a opportunity at redemption and he approaches it with hard work and dedication. Really, how could this not win the Best Picture Oscar?

Despite my distaste for sports movies, I did enjoy this one in that is well shot, it is filtered through the lens of seventies cynicism/realism, the outcome isn't obvious and it is genuinely inspiring. It also helps to have one of the most unforgettable movie themes supporting it.
But what did surprise me is that there is some degree of goofiness at work here, with Rocky's tendency to talk about random stuff and to anyone in a nonstop fashion (this goofiness, apparently, will be amplified in the sequels). 

Still this movie is, for the lack of a better choice of words, a knockout.

Taxi Driver

And this week's Friday night movie has been.....Taxi Driver!

Original image located here. Accessed 23rd June 2017

There's not a lot I can say about this movie that hasn't already been said before: A major step in Martin Scorsese's career, a star-making role for Robert de Niro, Bernard Herrmann's final movie score, and a very unflattering portrayal of New York City.

What I find interesting about this movie however, is it's still relevant some forty-one years later. The main character is a guy, Travis, who is paranoid, lonely, woefully cut off from modern society and has no idea how to interact with anyone else. Thing is, such people still exist only they aren't buying firearms, they're yelling at other people on the internet.
It's quite a demand on me, the viewer, to try and connect with such a character. Travis runs the gauntlet of being pathetic, frightening and strangely sympathetic. He is just like any other socially maladjusted misanthrope that we may have encountered at one stage in our lives in one form or another. So how am i supposed to react? Judging by the eventual fate of Travis by the end of the movie, it seems the movie is just as unclear as I am.
Which is why it succeeds.

Assault on Precinct 13

And this weeks Friday night movie has been....Assault on Precinct 13!

Original image located here. Accessed 23rd January 2015

What can I say? For a film nearly forty years old it holds up pretty well. The action is intense, the atmosphere is claustrophobic and there is a sense that there is a lot being done with a limited budget. In addition, the directing is top notch, the acting is great and there's a lot of grit that puts a lot of modern films to shame.

I could say 'they don't make them like they used to' but you know what? They don't. 

So! Anybody got a smoke? XD

Network

And this weeks Friday night movie has been....Network!

Original image located here. Accessed 19th September 2014

What can I say? Its got great acting, and it's so deliciously ruthless in it's satire. 

Truly a classic.