A Star is Born

 And this week's Friday night movie has been... A Star is Born!

Original image located here. Accessed 6th March 2026

I'm going to try an experiment: Given that Hollywood has made four versions of A Star is Born, I will for the month of March, watch and assess all four of them. Indeed, it would be interesting to see how each
of them compare with one another. And which hold up given the passage of time.
And what better place to start than with the the very first, from 1937.

So this movie tells the story of a young actress who is determined to make it as a star in Hollywood. She eventually catches the attention of a veteran actor who then actively supports her career and is the only person who believes in her. And so while her career flourishes, his career flounders...
Perhaps the most striking thing about this movie is that it is clearly a product of it's time. It shows how Hollywood operated in the 1920s/30s (the supposed Golden Age of Hollywood) and the progression of our protagonist. And that in sense, it is odd, even with the passage of nearly nine decades, how this movie is a documentary, a cautionary tale and a propaganda piece at the same time.
And yet it's that honesty that makes this movie so compelling. 

So yes, this movie may be a product of it's time but it has held up well against the march of time. 
And it would be interesting to see how it's offspring measure up...

The Life of Emile Zola

    And this week's Friday night movie has been... The Life of Emile Zola!

Original image located here. Accessed 26th January 2024

Best Picture Oscar winner no.: 10 (1937)

Stop me if this sounds familiar: There's this guy who has a talent in a creative field. He produces works that bring him fame but antagonises those in power. He falls into a slump but then becomes aware of a man going to prison for a crime he didn't commit. Guy then rouses the public using well-worded speeches in the pursuit of truth and justice. The narrative then shifts to the courtroom where those in power are challenged and are ultimately overcome. 
If such a narrative was made today one would think it had 'Oscar Bait' written all over it.
But the thing is, that's the plot of this movie which was made in 1937.....

It would seem that time has not been kind to this movie, with the major problem being the application of self-censorship as to not antagonise 1930s Germany (ie references to the accused being a Jew removed; why the image used in the poster does not resemble the protagonist). 
Personally, it wasn't bad: It does present an interesting version of historical events. Muni does a magnificent job in the lead role. And I can't say it was dull.
But reading up on the production of the movie, I was struck by the constant clashing between producer Henry Banke and exec. producer Hall B Wallis. And someone should adapt that because that would make a movie worth watching.

Mutiny on the Bounty

   And this week's Friday night movie has been... Mutiny on the Bounty!

Original image located here. Accessed 19th January 2024

Best Picture Oscar winner no.: 8 (1935)

This film is an interesting case in Oscar history. It was nominated for eight awards but only won one (need I say which one?). Also it had three entrants into the Best Actor category which led to the foundation of the 'Best Supporting Actor/Actress' categories. 

In recent years people have come put forth the theory of 'Oscar Bait': By fulfilling a particular set of criteria, success is guaranteed. And this could well be the earliest example of such a practice: Grandiose setting? Check. Historical piece (accuracy be damned!)? Check. Big name actors? Check. Presence of previous Oscar winners? Check. Exotic locales? Check. Plot involving rising up against an unjust authority? Check.

Cynicism aside however it would seem that time has been kind to this movie. It was a rollicking adventure film and was fun to watch. But the MVP is still Charles Laughton, commanding the screen every time he appears and proving he was truly born to play villains (how he never got the Oscar for Best Actor, I'll never know).

It Happened One Night

  And this week's Friday night movie has been... It Happened One Night!

Original image located here. Accessed 12th January 2024

Best Picture Oscar winner no.: 7 (1934)

This film has quite the reputation behind it: It was the first movie in Oscars history to scoop the top five awards (Best Picture/Actor/Actress/Director/Screenplay) and several elements inspired the mannerisms of Bugs Bunny. But perhaps the greatest legacy of this movie is that it is the progenitor of the modern rom-com.
You know those movies where two people come together, by chance, start hating one another and then form a romantic bond that cumulates in a disrupted wedding? Yeah, you can thank this movie for that.

Ultimately however this is still pretty funny and age has not withered the humour present. Likewise for the presence of our two leads - which is an impressive achievement considering Claudette Colbert and Clark Gable hated making it. But you wouldn't think that watching it now.
In fact, this movie still comes across as fun even when it has been copied countless times (but never bettered). Truly a gem.

Snow White and the Seven Dwarves

  And this week's Friday night movie has been... Snow White and the Seven Dwarves!

Original image located here. Accessed 10th November 2023

I've been meaning to get this on DVD for the longest time and Disney's recent announcement that they will no longer distribute physical media in Australia is a good enough reason to grab it.
So why on earth would I get the physical release in this age of streaming? Well there was a special feature on the DVD that caught my attention: An audio commentary by Walt himself. Granted buying a DVD for a special feature, let alone buying a DVD, would look downright archaic now but keep in mind: once upon a time, special features were once a major selling point for DVDs.
Furthermore, the audio commentary got my attention just to see/hear how they did it (turns out, gathering all these sound clips of Walt, stitching them together and boom: there it is).

So about the movie: It's the big one. The one that proved feature length animation could work and the one that built an empire from the ground up. 
Of course, it may be easy to dismiss this movie for it's age but I don't think so. The animation and art direction still stand up really well. There is a lot of creativity and expressiveness on play here. Sure one might think that Disney and his animators are showing off what they can do but the animation still works some eighty six years later. 
And for a studio noted for formula, it is interesting to see it being put into play first up. And just how it works: Proof that the formula so well the first time that it has been reused many times since. 

So yeah, an important movie to the history of film that, remarkably, still holds up

Duck Soup

And this week's Friday Night movie has been... Duck Soup!

Original image located here. Accessed 28th April 2023

Anyone heard of this? This is a famous movie from the 1930s headed by the renowned comedy troupe the Marx Brothers.
I've said many times that it is a gamble visiting movies from the Golden Age of Hollywood (1910s-1960s) as they tend to date poorly. And the genre that suffers the ravages of time the most is the comedic movies. Still I do know of the Marx Brothers and I do recall, once upon a time, seeing and thoroughly enjoying Bringing up Baby (another comedy of the same era). So could this surprise me?

Needless to say I hadn't seen any of the Marx Brothers prior to this. I mean I knew who they were and of their distinct comedic personalities, I knew this particular movie was a rare excursion in political satire and I knew it angered Mussolini but I had never seen the Marx Brothers actually in action.
Actually, forget what I said about 1930s comedy aging: This is still pretty funny. Lots of sight gags, one-liners (courtesy of Groucho), physical comedy and a sense of bringing chaos to order. Even now the personalities the brothers have shine through and still work decades later. Interestingly enough, I grew up watching Looney Tunes and it's fascinating to see how that brand of humour can be traced back to these guys. In fact, a lot of these gags have indeed been replicated many times before but here they are still laugh out loud funny.
Remarkable how time has not ravaged this movie at all

The Bride of Frankenstein

And this week's Friday night movie has been... The Bride of Frankenstein!

Original image located here. Accessed 23rd October 2020

Last year, in October, i watched the original Frankenstein. So it is fitting that I would see the sequel this year.

Seeing as the Monster, and it's sympathetic portrayal at the hands of Boris Karloff, was such a selling point in the previous movie, it would make sense for it to be expanded upon in the sequel. As such, the monster gets to speak, learn some basic concepts and undergoes a quest for companionship and acceptance - all with the pathos that powered the engine of the previous movie.
In fact much of the movie is shining example of doing a sequel: It takes the original and expands it. What is shown here is a combination of the familiar and the new - which is a trickier balancing act than one would think. The use of humour is a bit strange and threatens to derail the film but once again, it's the atmosphere, the use of horror and the monster itself that makes this movie work.

 As for the Bride herself, she is a remarkable creation: The mummified body, the freaky hair, the bird-like movements and the ear-piercing shriek. And what is most astonishing is that she makes an impact even with the most limited of screen-time.

Stagecoach

And this week's Friday night movie has been... Stagecoach!

Original image located here. Accessed 26th June 2020

I'm going after one of the big ones here today folks. I won't say no to a western and this is one of the big ones: The 1939 classic that was John Wayne's breakthrough role and the movie that elevated the western into a genre to be taken seriously.

Clearly the strength of this movie relies on three things: First up, is the characters. They are all well-realized, well-written and a stunning example of how to make the most of a small cast within a limited/restricted location.
Secondly, is the stunning scenery, that would become a trademark of John Ford's later movies (The Searchers anyone?). It looks as wide and empty as one would expect the frontier to look.
And thirdly is the stunning climax where the coach is under attack. It is tense, well shot and exciting. Indeed, one gets the impression this scene was one that has been studied by many a filmmakers ever since and has been alluded to in many an action movie.

It may be easy to dismiss this movie given it's age but, given the path it beat down, this is one movie that, quite rightly, demands respect. Furthermore. it is interesting to pick up elements that would be replicated countless times thereafter.
I always find it a gamble to talk about a movie from the 'classic' era (ie pre-1970/New Hollywood/Star Wars) but in this case, the gamble has paid off

Frankenstein

And this week's Friday night movie has been....Frankenstein (1931)!

Original image located here. Accessed 4th October 2019

Well it's October so of course I'm going to see some horror movies these next few weeks. And what better way to start than with the granddaddy of them all.

I often find it a danger to approach a movie from the pre-New Hollywood era as they tend to date rather horribly. That is not the case here. This still holds up by providing plenty of mood and unease. And it all holds together with Boris Karloff's performance of the monster with both freakish and humane.

Not much else I can say except it seems it's reputation as classic is justified and looks set to endure.

All Quiet on the Western Front

And this week's Friday night movie has been.....All Quiet on the Western Front!

Original image located here. Accessed 26th April 2019

Well yesterday was Anzac Day so of course I will watch a war movie. And you can't do better than the granddaddy of them all.

It's always a risk going back to a movie pre-New Hollywood - and perhaps an even greater one going back to a movie that sits on the cusp of the transitional period out of the silent era. This is because they tend be ruined by the ravager that is time.
Mind you, this movie was, in it's prime, banned in Germany, Austria, Italy, France and Australia - but you wouldn't think that now.

But that is not the case here. The anti-war message hits like a hammer, the performances are top-notch, the spectacle is astonishing (more so for a movie made in 1930) and the humanism is prominent. Special mention must go to the war scenes which are both realistic and horrific in equal amounts (perhaps the ultimate goal for any war movie) and that unforgettable conclusion. Indeed, it says a lot when an eighty-nine year old move still commands such power.

The Man Who Knew Too Much (1934)

And this week's Friday night movie has been.....The Man Who Knew Too Much (1934)!

Original image located here. Accessed 22nd September 2017

Whenever someone brings up to the topic of remakes I always think of this movie. For you see, this was a movie made by Alfred Hitchcock when he was living in the UK. Then, in 1956 when he'd moved to Hollywood, Hitchcock remade his own movie. And why did he do it? Well, he thought he could've done a better job the second time around.

I will eventually watch the remake but for now, what did I take away from the original? Well, to be honest I found it kinda dull. I could write this down as the movie showing it's age but somehow it just didn't engage me.

That's not to say it wasn't without highlights namely Peter Lorre stealing the show, the fight scene in the chapel and the concert scene proving Hitchcock's status as The Master of Suspense is well earned.
That's my take on the original but how will the remake turn out? Tune in next week....

Freaks

And this weeks Friday night movie has been....Freaks!

Original image located here. Accessed 24th October 2014

We live in a digital age where movies have incredible picture quality and are readily available for download - therefore there's something to be said for watching a movie from a long-gone era (1932).

As for the movie itself it is kinda odd to see it now as elements from it have been replicated in movies that have followed (such is the march of both time and progress one may assume). But no matter: there is certainly some ghoulishness to Freaks and it certainly has some bite to it that makes it still work decades later. 

Kinda makes you wonder if the movies being made today will have the same kind of staying power....