Winnie the Pooh

   And this week's Friday night movie has been... Winnie the Pooh!

Original image located here. Accessed 14th August 2026

Well I saw the Many Adventures of Winnie the Pooh last week so it is only fitting that I follow it up with this 2011 effort. 
It would be easy to write this off as a remake of the preceding movie given it takes the same approach: Use the source material and throw in zany sight gags, lean on the naivety of these characters, break the borderline between the animation and the text, show off the playful nature of the animation and all wrap it up in a big bow of cosiness. 
But if it worked the first time, there's no reason why it won't the second. 

Really there's not much else I can add; This was a lot of fun to watch and whilst it seemed a repeat of the Many Adventures it never came across as a problem (which, lets face it, is a difficult trick to pull off). 

Although I am convinced that Pooh's love of honey is so great he may require professional help...

The Many Adventures of Winnie the Pooh

   And this week's Friday night movie has been... The Many Adventures of Winnie the Pooh!

Original image located here. Accessed 7th August 2026

When I was a little boy, my father had a copy of Winnie the Pooh on the bookshelf. This was a copy of the original text by A. A Milne and I read it many times. Indeed, a book where the titular character is far from the sharpest tool in the shed but is still able to succeed is something that spoke deeply to me. 

So we come to this: An anthology of previously animated shorts and indeed the most widely recognised of the Disney adaptations of Milne's work. I do recall seeing one of them on TV when I was a lad - the one where Tigger is stuck up a tree - but I never got to see how it ended. 

Looking at this collection of shorts, I can certainly recognise the stories from the source material. And I especially love the playful nature of the animation, with the incorporation of the story book framework. 
Given the ubiquitous nature of these characters, one will would they would grow tiresome easily but that is not the case. 
This has been a lot of fun to watch and hasn't aged at all.

The Peanuts Movie

And this week's Friday night movie has been... The Peanuts Movie!

Original image located here. Accessed 3rd July 2026

Its another one I have been putting off for a long time. 
I adored Peanuts when I was a kid. At the time, I revelled in Snoopy's personality - whilst struggling to connect with Charlie Brown. And yet, an adult perspective showed that this was a brutally honest comic strip: It may be easy to write Charlie Brown off as the eternal punching bag but there is something to be said about giving it your all no matter what adversity throws at you. Sure, one will say that giving up something one clearly isn't good at is a determination that is either blind or stoic but the refusal to pack it is admirable. 

Needless to say, this was very much in tune with the source material. Some absolute belly laughs, imaginative animation, countless references for the long-time devotees of Peanuts and the ever-present honesty that made the original strip work. And once again, Charlie Brown's everyman quality ultimately drives the whole thing.
And hey, haven't we all, at some stage, felt like the whole world is conspiring against us? 

The Wild Robot

    And this week's Friday night movie has been... The Wild Robot!

Original image located here. Accessed 24th April 2026

I was burned by Kung Fu Panda 4. Can I trust DreamWorks again?

Apparently so.

It can't be denied that DreamWorks has proven itself to be a major rival to the Disney monolith. But personally I always felt that the identity that DreamWorks forged for itself was one that was defiantly anti-Disney. And it's an approach that proved successful (Shrek anyone?).
That being said, you wouldn't think that that DreamWorks would try and tackle something both sincere and heartfelt. 

But that's exactly what's happened here: Get past the jokes and anti-establishment ethos in the first portion, and you'll find something of wonder. It's not just the stunning visuals, the creativity on display and the imagination peppered throughout. Oh no, there are some substantial musings on parenthood, the notion of abandoning primal instincts for civilisation, and, particularly in my eyes, the implication of an autistic person coming in and ultimately uniting a disparate community. 

Personally? DreamWorks have produced some stellar works and this stands proudly among them. 

Elio

And this week's Friday night movie has been... Elio!

Original image located here. Accessed 2nd January 2026

Happy new year! Here's to the next twelve months of watching movies - and what better way to begin than with a movie that was tossed out into the world with little to no faith in it.

Once upon a time, there was a little boy who had a keen interest in space exploration. He devoured every book he had on the subject and was very excited when the Voyager 2 probe reached Neptune. He was very keen on UFOs and dreamed of making contact with aliens. And despite his imagination, he was neurodivergent (although he didn't know it at the time) and he had trouble fitting in.

I think this movie was custom made for me. 

Last year I pondered on what could be the least of Pixar's impressive track record and one could make the case that this could be it. Even I will admit that some of the complaints of this movie - it's looking formulaic, has less heart and more manipulation when compared to it's brethren  - may have some legitimacy behind them. 

But what does it matter? This movie spoke to me and still has the sense of child-like wonder that Pixar does so well. Indeed, one look at this, you wouldn't think that this was the result of a troubled production and a poor marketing effort. But in the end, it's the idea of finding somewhere where we all belong that brings it home. 

Truly a superb movie. 

K-Pop Demon Hunters

 And this week's Friday night movie has been... K-Pop Demon Hunters!

Original image located here. Accessed 5th September 2025

Yep, it's this movie. I have a lot of things to say about it so lets resort to dot points:

• Hasn't this been a hit? It's generated a passionate fanbase, scored hits with it's soundtrack and made a lot of interest in K-pop. And all from a an idea that seems absurd on paper.
• Personally I knew what I was getting myself in for due to an interest in Asian pop (started with anime, expanded upon by Kiera). 
• Oh who am I kidding? This was a lot of fun to watch. And there is plenty to latch onto here: Creative animation, jokes coming out at a machine-gun rate, snappy songs, great action scenes and real love for K-pop itself. 
• Special mention must go to what is some razor sharp writing with it's themes and compelling characters - which I hope other writers take note of. 
• Also of note is some surprisingly poignant musings on identity and self-worth.
• I noted Netflix has a Singalong version - which suggests that there are people who CAN hit those high notes in Golden (and make the guy in A-Ha jealous) 
• I wonder if this is going to set a new benchmark for populist entertainment that will have others falling over themselves to meet? If so, I'm all for it :)
• Ultimately, this movie has more personality than ever thought possible. Remarkable. 

Soul

  And this week's Friday night movie has been... Soul!

Original image located here. Accessed 29th August 2025

Like every man and his dog, I do love me some Pixar: They tell great stories, have stunning animation, have boundless imagination, and can inspire both laughter & tears in equal measure. We all know what to expect from this fiendishly talented studio and yet we don't complain. As such, they have had hit after hit.
That being said, with such a success rate, it makes the weaker films easier to forgive and forget. And that makes an interesting question: Never mind which is the greatest Pixar movie; what is the least Pixar movie?

But even if Pixar may be running on successful formula, the greatest achievement is that the formula doesn't get old. And Soul may be running on said formula but it still works.
All of the above is, of course, a long-winded way of saying that this is a Pixar movie so we can't expect the usual high standard of animation, imagination, laughter and tears. Which is what we all signed up for.
What is particularly noteworthy about Soul however is it's strength of ideas: It is indeed a bold move to bring up existential themes in a children's movie (Never-Ending Story anyone?) but they still resonate deeply as an adult: The concerns of whether you've lived a meaningful life and whether you are prepared to live. And that really speaks to someone like myself who has struggled with self-worth - and no matter how many movies I see related to this topic it still resonates.

And that epiphany scene is truly something astonishing. 

Also: Wait, Nine Inch Nails did the music to this?!

Tarzan

  And this week's Friday night movie has been... Tarzan!

Original image located here. Accessed 18th April 2025

I never saw Tarzan - or Mulan for that matter - when it was originally in theatres. At that time I was in college and my interests were being directed elsewhere. Furthermore to watch a Disney animated film back then was, in my mind, dismissed as 'kid's stuff'. 
But now, I'm an adult and I see no reason to care any more - especially as I continue to lurch through middle age. In addition, I have heard some good things about Tarzan so maybe it's time to give this a look with fresh eyes. 

So does this count among the Disney Renaissance? I have spoken previously about the post-Renaissance years, which is now recognised as the Experimental years, but is there an overlap between the two? Indeed, one could make the argument that the Experimental years began post-Lion King as those have not had the widespread recognition comparable to Little Mermaid/Beauty and the Beast/Aladdin/Lion King.

All right, enough delaying: This movie was fantastic. It wasn't just the astonishing animation, but a lot of stand out moments: The soundtrack courtesy of one Phil Collins. The theme of family. The gorgeous artwork. But the real star is Jane: She was a great character in her expressive, adorkable, probably-inspired-by-Jane-Goodall glory - helped immeasurably by the voice acting of Minnie Driver. And seeing her relationship with Tarzan progress is one worth following. 

I have heard that Tarzan himself functions as an analogy for people with Autism. Certainly I can see it and yes it does seem plausible, what with him being socially awkward and how he is treated by the people around him. Having said that, maybe I should've watched this during it's original theatre run as it could've helped...

Anywho, this was great stuff and yes, I think this could easily stand amongst Disney's best.

Mr Peabody and Sherman

And this week's Friday night movie has been... Mr Peabody and Sherman!

Original image located here. Accessed 11th April 2025

I watched a lot of Rocky and Bullwinkle when I was a kid. So I was already familiar with these characters and their shtick. Needless to say, I was perplexed to see that someone decided that these two should have their own full-length feature. I mean, is this the type of thing that will sell to the kids of the 2010s, let alone anyone who was a kid in the 1950s?

So it seems that I needn't have worried: This was hilarious with some real laugh-out-loud jokes, snappy dialogue, some clever use of visuals, gags that are anything but archaic, and some actual heart - not to mention various allusions to the source material. It is like that the makers realised that this wasn't that big a property so they had the freedom to do whatever they wanted - and so they ran with that.

Like I said I had no idea who green-lit this but I never would've guessed it produced such a gem. 

The Snow Queen

  And this week's Friday night movie has been... The Snow Queen!

Original image located here. Accessed 28th March 2025

I have thrown plenty of curveballs on this blog but this must be the biggest one yet: A Soviet animated feature from 1957. An odd choice certainly but this film is noteworthy as it famously inspired Japanese anime titan Hayao Miyazaki and remains one of his favourite films.

At first glance one would think this was Frozen's dour Russian cousin but it isn't. Instead it follows the source material very closely.
But really the main selling point of this movie would be the visuals. The art direction is pretty good by itself and the animation quality still holds up decades later. But it is the various animation tricks and techniques that really sell this movie. 
Granted this is more an art movie than a Disney flick but that's what makes it so unique.

Treasure Planet

And this week's Friday night movie has been... Treasure Planet!

Original image located here. Accessed 21st March 2025

And so here we go again with Disney's Post-Renaissance era. That weird period where they eschewed the musicals in favour of doing some more experimental works, with the results being polarising at best. And yet, with the passage of time, some entrants of this period are looked favourably, with some praising them for both the quality and Disney's willingness to take risks.

I do recall when Treasure Planet was originally released, being greeted with both bewilderment and a weak showing at the box office. But in the years since, many people have come around to it. So what do I make of this?

Well, this is an adaptation of Treasure Island so the source material is unbeatable. As such a lot rides on what is done with it. 

And I have to say this movie is indeed inventive: the visuals are stunning, showing every cent of the large budget. The creativity is great and designs are staggering. And it's also pleasing to see a straight-up adventure movie coming from Disney - but given the source material that is expected. 

It is certainly an odd move to reskin Treasure Island in a sci-fi setting but, against the odds, it works. 

Also casting Emma Thompson as Amelia was a master-stroke as she sounds like she's having the time of her life.

Kung Fu Panda 4

  And this week's Friday night movie has been... Kung Fu Panda 4!

Original image located here. Accessed 21st February 2025

I didn't have plans on watching this, but this turned out to be one of the situations where Kiera chose the movie. Still, I am willing to be surprised. And I have had some glowing things about the other three Kung Fu Panda movies so can that winning streak continue?

Well allow me to resort to bullet points:

• The first three had their fair share of solemn moments but this does not. This was a mistake.
• The Furious Five are also absent. This is also a mistake. 
• Viola Davis was great as the antagonist. 
• Seems to be some hostility towards Zhen. Is it the character? Or Awkwafina's voice? If that is the case of the latter, I have to wonder this hostility came from as she was great in Crazy Rich Asians 
• I did enjoy the dynamic Po and Zhen as clearly the latter was written in a way reminiscent of the former in the first movie. 
• The idea of Po being a state of wisdom is a compelling one given the journey he had taken to get here. 
• The action is still as solid as ever
• The end credits theme is hilarious
• Ultimately there is some enjoyable moments but the end result is indeed removed from what the first Kung Fu Panda movies so great.

Wallace and Gromit: Vengeance Most Fowl

And this week's Friday night movie has been... Wallace and Gromit: Vengeance Most Fowl!

Original image located here. Accessed 31st January 2025

As an IP, Wallace and Gromit's output is small: One feature film and a handful of shorts. Granted the quality of animation demands a lot of time and effort, but what there is, is never dull. And when a new entrant emerges, it is difficult to avoid.

No idea why you'd want to: The humour is near non-stop, the visuals are inventive and there are some surprising use of mood that would be suited to a horror movie. Also pleasing is the jabs at the increasing influencing devices and tech have in our lives. Okay sure there are more than a few allusions to The Wrong Trousers (perhaps to the point of reliance?) and Wallace makes for an exasperating character but this was a lot of fun. 

I recall watching Wallace and Gromit when I was in High School. And I'm glad to report this IP is still delightful three decades later.

Footrot Flats: A Dog's Tale

   And this week's Friday night movie has been... Footrot Flats: A Dog's Tail Tale!

Original image located here. Accessed 3rd January 2025

Happy New Year! And what better way to set off another year of movie watching, lets take a look at a movie that I have wanting to see for a long time.

I remember Footrot Flats when I was a kid. Certainly I knew of the comic strip but a lot of the humour went over my head - I guess one has to be sheep farmer to get the most out of it. But I do remember knowing the characters and, in particular, Dog. And I knew of this movie and the accompanying theme song - Dave Dobbyn's Slice of Heaven - so I may as well get off my slack arse and watch this.

Perhaps the most impressive aspect of this movie is that it is a New Zealand production and a major stab at getting an animated New Zealand movie made (has any more been made since?). And the animated is indeed delightful - ironically being outsourced from a Sydney animation studio - with special mention going to some rather stunning backgrounds.
Problem is, there is no plot to speak of: just a series of misadventures involving bad jokes, pointless scenes, archaic situations, the afore-mentioned farmer-centric humour and New Zealand pride that would look alien to outsiders. 
Needless to say it was disappointing that a movie I have been wanting to see turned out to be downright dull. 

But at least we still have Slice of Heaven.

And so 2025 is off to a flying start....

Inside Out 2

Recently I saw Inside Out 2.

Original image located here. Accessed 4th November 2024

In a way I'm not surprised that Inside Out would get the sequel treatment: the original idea is strong enough that there is plenty of room to expand. Are the five emotions the only ones? Are there more? And if so, are they there for all time? And what happens to Headquarters when one reaches the end of their life?

It would be easy to dismiss this movie as being nothing more than a cash grab and has no hope of replicating, let alone surpassing, the magic of the original. 
And yet, that may be case but I'm not willing to write this movie completely. There is certainly a lot of expansion on the original idea as we see Riley movie into her teens and gain a whole bunch of new emotions. True a lot of them don't do much - and I can't help but notice that Joy is still the only positive emotion present - but Anxiety makes for a compelling addition. Indeed, it may hit a little too close to home for some people to see Anxiety at work - in particular the representation of a panic attack is genuinely frightening. 

All in all, a solid sequel and I'm keen to see where this series goes to next.

Ratatouille

  And this week's Friday night movie has been... Ratatouille!

Original image located here. Accessed 15th December 2023

And here we have another movie that originally escaped my notice the first around and, through some miracle, managed to do so for the next sixteen years, And once again, it is better late than never.

Ultimately, this is a Pixar movie so one expects it to be of very high quality. And Ratatouille delivers with it's animation, it's ingenious attempts at physical comedy, it's humour, it's depiction of Paris and the careful attention to detail with it's characters, Yes such strengths may be par for the course with Pixar but when they do what they do so well who am I to complain?
But perhaps the greatest takeaway I got from Ratatouille is the message of trying something and keeping at it no matter the risk or the number of failures one might experience on the way. Such a message may be nothing new in a kids movie but here it is delivered in a way that is nothing less than exceptional. Indeed, the concluding review from the character of Anton Ego is truly the apex of the movie - and is of particular resonance as I continue to bash these words out.

And one day I might actually learn how to correctly pronounce 'Ratatouille' (whilst writing this review I was referring to it as The Rat Movie).

Elemental

 And this week's Friday night movie has been... Elemental!

Original image located here. Accessed 8th December 2023

I will admit that this year I have indulging in my inner film geek with my viewing choices. But, as we head into the final weeks of this year, there is still time for me to bring something more crowd pleasing to the table.

This movie has quite the shelf life: What started as a disappointing opening weekend has eventually grown into a success, finding an audience who appreciated the immigrant angle. Yet at the same time, there have been some whispers that this is one of Pixar's weakest efforts. I suppose such feedback would be inevitable considering the triumphs the studio has enjoyed in the past and it is only a matter of time before a misfire happens and/or the output starts to look formulaic. Still, I am willing to give the benefit of the doubt: Not everyone can produce a high quality body of work AND make each entrant an unique entity (Stanley Kubrick anyone?).

However I can't fool myself: This was a gem. The usual Pixar inventiveness is on display - indeed it was a treat seeing how this world works - and the animation is, once again, of high quality. 
But, as always, the real strength of this movie is it's heart, showing the trials and tribulations of an immigrant family, the need to forge one's own path and the necessity for connection (which indeed resonated with an Aspergan such as myself). Indeed that 'Touch' scene was truly a thing of beauty.
And it wouldn't be a Pixar movie if it didn't leave me an emotional wreck by the end.

So it the end I don't know what the nay-sayers are complaining about: This is another solid entry in Pixar's (admittedly well-stocked) library. 

Snow White and the Seven Dwarves

  And this week's Friday night movie has been... Snow White and the Seven Dwarves!

Original image located here. Accessed 10th November 2023

I've been meaning to get this on DVD for the longest time and Disney's recent announcement that they will no longer distribute physical media in Australia is a good enough reason to grab it.
So why on earth would I get the physical release in this age of streaming? Well there was a special feature on the DVD that caught my attention: An audio commentary by Walt himself. Granted buying a DVD for a special feature, let alone buying a DVD, would look downright archaic now but keep in mind: once upon a time, special features were once a major selling point for DVDs.
Furthermore, the audio commentary got my attention just to see/hear how they did it (turns out, gathering all these sound clips of Walt, stitching them together and boom: there it is).

So about the movie: It's the big one. The one that proved feature length animation could work and the one that built an empire from the ground up. 
Of course, it may be easy to dismiss this movie for it's age but I don't think so. The animation and art direction still stand up really well. There is a lot of creativity and expressiveness on play here. Sure one might think that Disney and his animators are showing off what they can do but the animation still works some eighty six years later. 
And for a studio noted for formula, it is interesting to see it being put into play first up. And just how it works: Proof that the formula so well the first time that it has been reused many times since. 

So yeah, an important movie to the history of film that, remarkably, still holds up

Puss in Boots: The Last Wish

And this week's Friday night movie has been... Puss in Boots: The Last Wish!

Original image located here. Accessed 16th June 2023

So we arrive here: As promised it is time to see if this is cracked up as it was made out to be.

And what do you know? It delivered and then some. Sure I had the slight advantage as I didn't have to wait a full decade between seeing this and it's predecessor, but this truly was a gem.
In a previous post, I may have slammed the Shrek movies for introducing a formula that many have tried to replicate since - and like any formula it can only go for so long before it gets tiresome. But I don't get that impression here: Much like it's predecessor, it breaks away from the formula to say something of it's own.
And that something is one that refuses to talk down to it's audiences and is unafraid to talk about major themes - particularly that of living life that wasn't wasted. Which is big deal given this is a movie staring a spanish-accented tabby with boots and a big hat.
The highlights for me are the Wolf and the quality of animation. Sure it reeks of the same techniques that the Spiderverse movies worked with but it is interesting to see Dreamworks take an approach of 'I can do that too'. One would think it would be derivative but that the animators made wonders out of what they were working with is truly astonishing.
So yes, once again the further Puss divorces itself from the Shrek formula, the better the final product is.

Puss in Boots

And this week's Friday Night movie has been... Puss in Boots!

Original image located here. Accessed 2nd June 2023

I've been hearing good things about the latest Puss in Boots movie (Last Wish) so I may as well take a look at it's predecessor as a primer.
So what do I think of Shrek? I enjoyed the first two movies but I avoided what came after once it became clear this was a franchise that was going to be run into the ground. Furthermore, it seemed to me that the first one introduced a formula for success that many other movies in it's wake have sought to replicate. Also the jabs at Disney in the first movie are looking quite antiqued now.
So you can imagine my scepticism when returning to this particular franchise.

But I think the distance did me some good: I had a great time with this. It was a good move to make Puss the star of his own movie as there was a lot to the character and plenty to be added to him. It also helps that Antonio Banderas seems to having the time of his life in this role (and that is saying something given it's a voice role).
The humour certainly does seem to differ from the Shrek formula and is all the better for it. I don't know if that was the intention but this movie does suit the action/adventure format anyway.
So yeah great fun. Puss is as dynamic as ever and Kitty makes for a fun addition.
Now about the sequel....