The Guns of Navarone

And this week's Friday night movie has been... The Guns of Navarone!

Original image located here. Accessed 14th November 2025

As is often the case, this has been sitting on my watchlist for a considerable amount of time - well over two decades to be precise. And I have only gotten around to see it through the accessibility that streaming provides. 

I was led to this movie on the impression that this is one of the best war movies ever made. Some may disagree on that one but what I got from this movie is that it is a great example of a genre crossbreed: war and adventure. 
In this case, a group of soldiers, of varying backgrounds and unique talents, go through enemy territory to complete an objective. Sure that set-up may seem tried and tested but it is for a reason: it works. 
And this movie does deliver on it's premise: Exotic locales (Greece), high stakes, great set pieces, gripping tension and a cast giving committed performances. Gregory Peck is in fine form but somehow David Niven steals the show.
I was worried that a two and a half hour runtime may be a slog to get through but, against the odds, this was anything but a dull watch.

Born on the Fourth of July

 And this week's Friday night movie has been... Born on the Fourth of July!

Original image located here. Accessed 4th July 2025

I couldn't resist.

Jokes aside, there is nothing funny about this: a biopic about Vietnam vet Ron Kovic, tracing his story from childhood to adulthood. We see him fighting in the conflict, becoming paralysed and confined to a wheelchair, coming home and struggling to readjust to a civilian life, pursuing hedonistic pleasures to zero satisfaction and eventually becoming an anti-war activist.

I have a feeling that if this movie was released today it would be written-off as Oscar Bait. It certainly ticks the boxes that are favoured by the Academy and it certainly goes a long way to humanise those who fought in a very unpopular war. But somehow, this movie still stands on it;s own feet purely through it's lead: Tom Cruise.
For a long time. Cruise was a punchline: so much so it is easy to forget that he was truly one of the finest actors of his day. And here he delivers quite possibly his best performance: He inhabits the role of Kovis delivering the fire and pathos necessary to effectively become Kovic. 

This story may sound like one told many times before - indeed Kovic's story is one that many Vietnam vets would have faced - but none could hit like this. 

Where Eagles Dare

And this week's Friday night movie has been... Where Eagles Dare!

Original image located here. Accessed 25th April 2025

Should I be watching a war movie on Anzac Day? That's a very good question. Nevertheless, I have been wanting to see this for a long time so now is as good a time as any. I guess.

But no matter: This was gripping stuff, following a commando unit on a rescue mission. Richard Burton is certainly a presence and Clint Eastwood is effectively carrying over his Man With No Name persona into a different setting. The set pieces are great and there's some great actions scenes - not least that nail-biting sequence on the cable car. And there is some intrigue that one wouldn't find in a war movie - surprising but welcome. 

I've heard some comments comparing this to a James Bond movie but hey, whatever works. After all, anyone can come up with a war setting but it takes a visionary to do something different with it.

The Hurt Locker

 And this week's Friday night movie has been... The Hurt Locker!

Original image located here. Accessed 4th November 2024

Best Picture Oscar winner no.: 82 (2009)

As previously mentioned, I am convinced that the movie going public will never forgive Shakespeare in Love for it's upset Best Picture victory. So the question is raised: How do people feel about The Hurt Locker's upset win?
It seems to me that this movie is in the same boat as Shakespeare in Love as it both beat some stiff competition and became something of a watershed for the Best Picture Oscars: It beat out Up and Avatar. It was the lowest grossing nominee. It was a low budget/small scale movie triumphing over the bigger budget movies. It's director, Kathryn Bigelow, was the first female to win Best Director (and who also beat out her former husband James Cameron). It was the first movie since Mrs Miniver to be about a war that was then in progress. 
An impressive legacy to be sure but what of the movie itself?

It certainly is compelling in it's depiction of working in a bomb disposal unit. The setting, Iraq, is also handled convincingly as well as the distrust the troops get from the locals. I don't doubt the realistic manner of the situations and how they are handled but I do question the reckless behaviour of some of the grunts: I may not be a military expert but I'm pretty sure you don't go acting like a tool when the dangerous task of bomb disposal is in progress,
Still I won't fault this movie for it's incredible use of tension and the sense that one is put right into the action. Many war movies can claim to do that but this one, I feel, actually pulls it off.
Looks like we have winner.

Platoon

And this week's Friday night movie has been... Platoon!

Original image located here. Accessed 4th November 2024

Best Picture Oscar winner no.: 59 (1986)

There seems to be a 'Big Four' of Vietnam War movies: Apocalypse Now, Full Metal Jacket, The Deer Hunter and this: Platoon. Of particular note is that the latter two have won the Academy Award for Best Picture. Which is quite a feat as the Vietnam was regarded as a very unpopular war. 

Compared to the other Big Four, Platoon has the unique advantage of being director by an actual Vietnam veteran. For this I don't doubt this movie's realism, nor do I doubt it's message on the brutality and futility on the conflict. More than any other movie, this is the view from the grunt's perspective, facing death, mayhem, conflicting COs, uncertainty as to what they're doing there and struggling to keep it all together.

Okay I admit it: I'm struggling to get the words together but perhaps that is a testament to this movie's power.
I mean, any film that opens with Barber's Adagio for Strings isn't messing around...

The Deer Hunter

And this week's Friday night movie has been... The Deer Hunter!

Original image located here. Accessed 4th November 2024

Best Picture Oscar winner no.: 51 (1978)

I was dreading watching this movie. Largely for two reasons:
Firstly, this movie is notorious for being the progenitor of 'Oscar Bait'. For those who don't know this movie, upon release, was deemed a hard sell due to it's depressing nature and it's length. Producer Allan Carr decided that if the movie was nominated for Best Picture, then people will go and see it. So the movie received a nomination after achieving the bare minimum requirement - along with Carr's own heavy campaigning for the movie. And it worked - The movie won Best Picture and, in turn, has inspired similar campaigns in it's wake.
And secondly, this is the movie that gave director Michael Cimino success - which he followed up with Heaven's Gate. This one was a notorious flop, with a oversized budget and seemingly never-ending production cycle. And it was enough to bring about the end of the New Hollywood era. I personally have never seen Heaven's Gate but my dad did - and he hated it, regaling me with stories of pointless scenes that dragged on. 
Thing is though, these two obstacles are ultimately outside factors: They don't say much about The Deer Hunter itself so there is still grounds for me to assess this movie on it's own terms.

What is striking is that there are three parts to this movie. The first introduces the protagonists and their bonds. The second catapults into the Vietnam War and gives us the infamous Russian Roulette scene. And the third examines the fallout of our protagonists retuning home and struggling in various forms. 
Really this movie left me with a lot of mixed feelings: On one hand there are some sequences that drag out and seem pointless. But on the other hand, there are some intense scenes (like the war portion) and some moments of sensitivity - both of which prove that Cimino knows what he's doing and the cast are delivering some career best performances. 
Some strong ideas to be sure but sadly bogged down with some baffling meandering.

Still, I will give props that the Academy awarded Best Picture to a movie about the Vietnam War - long regarded as 'the unpopular war'. Seems they were going against the grain but, as it would turn out, it's not the last time the Vietnam War would walk hand in hand with the Best Picture Oscar...

The Bridge on the River Kwai

And this week's Friday night movie has been... The Bridge on the River Kwai!

Original image located here. Accessed 19th April 2024

Best Picture Oscar winner no.: 30 (1957)

I've been wanting to see this movie for years but I never got around to it. I recall years ago I was discouraged through my father describing it as 'silly'. But not this time around....

So what makes this movie special? Well it is a unique entity in the war movie genre in that it seems less concerned with getting a commentary on warfare across and more interested in being a character driven piece. The characters are indeed complex, helped considerably by the cast playing them with standouts being Alec Guinness and Sessue Hayakawa. The scale is staggering - as befitting a David Lean film - and it's impressive to know that the crew built the bridge for real. Furthermore, the final twenty minutes are astonishing. If this was attempt to show what the big screen could do, as opposed to the small screen of TV sets, then mission well an truly accomplished. 

Finally, was it as 'silly' as it was described to me? Well there were a few moments that did seem difficult to swallow but there rest of the movie is so strong that it makes such instances easier to forgive. 

A classic without a doubt

From Here to Eternity

 And this week's Friday night movie has been... From Here to Eternity!

Original image located here. Accessed 5th April 2024

Best Picture Oscar winner no.: 26 (1953)

If people know this movie it's because of that unforgettable image of it's two stars, Burt Lancaster and Deborah Kerr, in a passionate embrace in a beach as the waves roll around them. That's all well and good but what of the movie attached to said image?

In recent years it has become something of a joke that if you want to win big at the Oscars, then just make a movie based on World War II. In which case I think we can blame this movie for that observation. Keep in mind this was made eight years since the end of the war and would no doubt be still fresh in people's minds.
So what we have here is a group of soldiers going through various trials and tribulations, both on and off the military grounds, that eventually leads to a climax where Pearl Harbour is under attack. 
So yeah, I do like that this movie is taking a humane approach to it's subjects - which in turn makes the climax hit hard. Certainly the movie may look archaic now but there is still a lot going for it.
Still I have to wonder if those was the film that Michael Bay had in mind when he made Pearl Harbour...

The Best Years of Our Lives

And this week's Friday night movie has been... The Best Years Of Our Lives!

Original image located here. Accessed 1st March 2024

Best Picture Oscar winner no.: 19 (1946)

Last month I watched Mrs Miniver so it's fitting I should watch this. That's because both films share the same director, William Wyler, and both have the same DNA. Whereas Mrs Miniver was a film made during World War II and focuses on the civilian life during the war, The Best Years of Our Lives was made after the war and focuses on the lives of three servicemen as they adjust to the aftermath. 
Well, you can't accuse the Academy for not lauding films that tackle topical narratives.

I assume it would be safe to say that this movie perfectly described the feelings and mood of people in the aftermath of World War II. And if this movie exists to function as a document of that time period then it is well and truly successful. It is, if anything, honest and challenging - pretty much all that a great movie needs to do. 

Mrs Miniver

 And this week's Friday night movie has been... Mrs Miniver!

Original image located here. Accessed 16th February 2024

Best Picture Oscar winner no.: 15 (1942)

In recent years I've heard complaints that the Oscars are being too political. Such a notion never made such sense to me as it would seem that they have always been political. Such was the case with this movie as it was a made during a major worldwide event - that being World War II.

So what we have here is a family, and a community, being effected by the War. Of course, this subsequently comes across as being a propaganda piece. Nevertheless, there are some moments of note: The tension from the pilot scene, the character development and the finale in the church. 
It may have been dull in places but it seems that it's humane approach is what makes it succeed.

Wings

 And this week's Friday night movie has been... Wings!

Original image located here. Accessed 5th January 2024

This year marks a full decade since I started this series. So to acknowledge such a milestone, I'm going to attempt something ambitious:

For every week in 2024, I will be watching a movie that won the Academy Award for Best Picture.

Certainly watching the Best Picture winners is something I've been wanting to do for a while so now is as good a time as any to do so. After all, these movies are the best of the best - or so it would seem so it would be interesting to see if such a notion holds up. Of course, it would be easy to kowtow to the ongoing joke that the Academy get wrong time and time again but at the same time, it would be interesting to see if said joke still holds up. 

So some ground rules:

• The one rule of this series - watch a movie I've never seen before - still applies
• At time of writing there have been 95 Best Picture winners. Already I have seen 28 of them. Of course I'm not going to get through all of the remaining 67 so I am allowed to be selective. 
• I have a rough plan mapped out but I am open to suggestions

And now, what better way to commence this year-long plan than with the very first Best Picture winner.

A lot of this movie's reputation is being the first winner as well as being the only silent movie to gain the top honour. It was also worth keeping in mind, in my approach to this movie, that time may not have been kind to it and it may come across as dated now (a notion that may be ever present as this plan continues).

So what we have here is a war movie where air combat is married to a human drama off the battlefield. As it turned out, I wasn't exactly thrilled with the latter (indeed you could easily have shaved half an hour off and no one would've noticed) but the former is where the movie shines. The aerial sequences are astonishing - moreso when considers this was all done with practical effects - and still hold up nearly a century later. Director William A Wellman was a WW1 pilot himself and he shows a great knowledge for realism and how to convey air combat into the screen. 

It looks like this is going to make for an interesting year.....

Lawrence of Arabia

And this week's Friday night movie has been... Lawrence of Arabia!

Original image located here. Accessed 1st July 2022

Well I'm in quarantine so now would a good time as any to address some of the longer running movies in my to-watch list.
I knew this movie on two fronts: a) it's a very famous movie and b) it was directed David Lean. Now I've already seen one of his works, Doctor Zhivago, and it seems to me his films are defined by two characteristics: a) they feature lots of exotic locales and b) they tend to be very long. So should I be put off by such a reputation?

No I shouldn't. Because it seems to me this movie's reputation is justified. It runs over three hours but it never drags. The locations are astonishing and the filmmaking techniques put to use are incredible. The battle scenes are great and there are plenty of unforgettable images. There is plenty of desert sure but the film does a clever job making you feel like you're there - which is saying a lot for a movie approaching it's 60th birthday.
And it's always nice to see a pre-Star Wars Alec Guinness.
I was told that this is one of cinema's achievements and now I see no reason to doubt it.

Saving Private Ryan

And this week's Friday night movie has been... Saving Private Ryan!

Original image located here. Accessed 25th March 2022

Well it's Oscar season so now would be a good time as any to address a movie that was a hot favourite for Best Picture but got pipped at the post.
I remember this movie being a big deal back in 1998 but I never got around to seeing it (at least until now). And I also remember a lot of anger that Saving Private Ryan lost the Best Picture Oscar to Shakespeare in Love. But conversely, i wasn't angered: I thought very highly of Shakespeare in Love - and still do - so i was delighted by the win. Sure it puts me in a minority position and yes it has since been revealed that grade-A douchebag Harvey Weinstein made an aggressive push to secure the Best Picture Oscar to Shakespeare in Love but I regret nothing.
Which in turn places me in an interesting position to approach Saving Private Ryan.

When it comes to Spielberg I have found he only makes two types of films: Light Entertainment (ie ET, Jurassic Park, Indiana Jones) and "Take me Seriously Dammit!". And Saving Private Ryan does indeed belong in the latter category. Much has been written about the opening half hour and how it has set a new standard for portraying war scenes in movies but what i got out of it was just how brutal Spielberg's approach is: It's not just the violence but the shaky cam and the grimness of the whole thing. Clearly this was an attempt to show the war as it really was and the plonk the viewer straight in the middle of it. And the gamble paid off.
So yeah, as stated above, this movie was indeed a big deal and, it would appear, for very good reason.

All Quiet on the Western Front

And this week's Friday night movie has been.....All Quiet on the Western Front!

Original image located here. Accessed 26th April 2019

Well yesterday was Anzac Day so of course I will watch a war movie. And you can't do better than the granddaddy of them all.

It's always a risk going back to a movie pre-New Hollywood - and perhaps an even greater one going back to a movie that sits on the cusp of the transitional period out of the silent era. This is because they tend be ruined by the ravager that is time.
Mind you, this movie was, in it's prime, banned in Germany, Austria, Italy, France and Australia - but you wouldn't think that now.

But that is not the case here. The anti-war message hits like a hammer, the performances are top-notch, the spectacle is astonishing (more so for a movie made in 1930) and the humanism is prominent. Special mention must go to the war scenes which are both realistic and horrific in equal amounts (perhaps the ultimate goal for any war movie) and that unforgettable conclusion. Indeed, it says a lot when an eighty-nine year old move still commands such power.

Das Boot

And this week's Friday night movie has been.....Das Boot!

Original image located here. Accessed 17th August 2018

From the director of The Never-Ending Story...

Let me say this up front: Tense does not BEGIN to describe this movie. I was dreading a three and a half hour movie would be a slog to get through but this wasn't the case. It was gripping, it was never dull and one gets the feeling that this is as real as one is ever going to get with a German U-Boat. Furthermore, one gets the impression this is quintessential submarine movie: the one where everyone has been trying to replicate ever since.

But I think the greatest achievement of this movie is to make me root for a cast of Germans in a World War 2 movie. I found the rising of the sub in the last half hour genuinely inspiring and the conclusion a real punch in the gut. Seeing as people like a clear distinction between Good-guys and Bad-guys (if the Facebook debates I've seen are anything to go by) one would have to be insane to try and give Germans in a WW2 movie some humanity but here it works - largely through a committed cast.
Mind you, at least i now know where that joke from Disney's Aladdin originated...

Downfall

And this week's Friday night movie has been.....Downfall!

Original image located here. Accessed 9th March 2018

I recall when this film originally came out: it was subject to a lot of controversy due it's approach of humanizing Hitler. However such controversy seems inconsequential years later, when one considers the life this film gained as a YouTube meme.

Make no mistake: This was not an easy movie to watch. What made it so challenging to watch was we are watching the collapse of government: Where everyone is facing impending doom and/or getting out (in more ways than one). Still, the effort put into the art direction and the historical accuracy is impressive and the acting is frighteningly accurate - it's easy to mistake it for the real thing.
So yeah, good movie

Schindler's List

Last week i was asked about my habitual Friday night movies and what happened to them. Well, I stopped doing them as I tied down elsewhere. But seeing as I enjoyed my Friday night movie, and talking about it, I see no reason to give it up completely. So, here is what will be, hopefully, a return to regularity:

And this weeks Friday night movie has been....Schindler's List!

 Original image located here. Accessed 3rd June 2016

Much has been written about this film: The powerful resonance, the acting, the cinematography and the directing. But I won't talk about any of that. No: You see, i remember, back in the nineties, that this movie was a big deal. And I feel coming to it, from a distance of twenty years, has allowed me to approach with a fresh perspective.
And it is still, very much as powerful as ever.

Full Metal Jacket

And this weeks Friday night movie has been....Full Metal Jacket!

Original image located here. Accessed 1st August 2014

What can I say? It was an intense movie and one that held my attention all the way through - which is what a movie should do.

Mind you, it is interesting to see Full Metal Jacket when last week I saw Apocalypse Now - whereas the latter left me with mixed feelings, the former has more bite and a lot more R, Lee Emery

That being said, I think I've had my fill of war movies for now - next week will be something fun...

Apocalypse Now

And this weeks Friday night movie has been....Apocalypse Now!

Original image located here. Accessed 25th July 2014

Can't say war movies are my thing but this was....something. Still, I don't regret watching it and am now interested in seeing Hearts of Darkness.....