Stagecoach

And this week's Friday night movie has been... Stagecoach!

Original image located here. Accessed 26th June 2020

I'm going after one of the big ones here today folks. I won't say no to a western and this is one of the big ones: The 1939 classic that was John Wayne's breakthrough role and the movie that elevated the western into a genre to be taken seriously.

Clearly the strength of this movie relies on three things: First up, is the characters. They are all well-realized, well-written and a stunning example of how to make the most of a small cast within a limited/restricted location.
Secondly, is the stunning scenery, that would become a trademark of John Ford's later movies (The Searchers anyone?). It looks as wide and empty as one would expect the frontier to look.
And thirdly is the stunning climax where the coach is under attack. It is tense, well shot and exciting. Indeed, one gets the impression this scene was one that has been studied by many a filmmakers ever since and has been alluded to in many an action movie.

It may be easy to dismiss this movie given it's age but, given the path it beat down, this is one movie that, quite rightly, demands respect. Furthermore. it is interesting to pick up elements that would be replicated countless times thereafter.
I always find it a gamble to talk about a movie from the 'classic' era (ie pre-1970/New Hollywood/Star Wars) but in this case, the gamble has paid off

Dances With Wolves

And this week's Friday night movie has been... Dances With Wolves!

Original image located here. Accessed 21st February 2020

I have mentioned previously how approaching certain movies can be an intimidating experience on reputation alone. And whilst this movie is one such instance, it does present an interesting case as this movie has a reputation that can only be described as a polarizing one.
On one hand, this was a sizable hit in it's day and subsequently silenced many a nay-sayer. It won Best Picture at the Oscars making it one of three westerns and one of six films done by a first-time director. It challenged a lot of western tropes by showing the Native Americans in a positive and sympathetic light.
But on the other hand, it was an undeserved winner at the Oscars. It robbed victory from Goodfellas. Despite it's intentions it still was a white man's movie. And a proponent of the 'white savior' trope that many a viewer would find insulting.
So for me, in order to appreciate this movie it is therefore necessary to divorce myself from both trains of thought and see it movie purely for what it is.

And you know something? It's actually pretty good. It may drag at times (I'm glad I didn't see the four hour special edition) but it succeeds in it's goal of offering a differing view in the western. Kevin Costner is certainly in control on both sides of the camera. But, much like the Searchers, the real star in this movie is the scenery, with moments of real beauty set in jaw-dropping landscapes.
So yeah. it's a solid movie from the brilliant moments of silence with Dunbar in isolation all the way to the punch-in-the-gut ending

The Searchers

And this week's Friday night movie has been....The Searchers!

Original image located here. Accessed 2nd August 2019

Once again I find myself facing down one of the titans: One of the oft-mentioned, undisputed classics, frequented-referenced-in-best-of-list of cinema. It's an intimidating prospect indeed but am i up to the task?

Well much has been written of Ethan, John Wayne's character, and how much he is, in fact, a racist. I won't deny that but I personally think that if the movie made me involved in the character's arc then it must've done something right. Having said that, what makes this movie compelling is that it's looking through the genre of the western through a grey lens. There are no black hats/white hats that are so common in the genre and honestly? The movie is all the better for it.

Ultimately however the real star of the movie is the setting. It may be shot in Utah Arizona but it never ceases to astonish. It's colossal, staggering and mind-slowing in it's bareness. There's no green-screen whatsoever and leaves a lot of modern movies for dead.

So yes facing this movie was indeed an intimidating prospect but it still holds up, even with the distance of sixty years (that final shot being a particular stand out). So in the end, this movie has a well-earned reputation.
Truly epic in every sense of the word.