Angel's Egg

And this week's Friday night movie has been... Angel's Egg!

Original image located here. Accessed 25th November 2022

This past couple of months I have been watching really lesser known movies - and no doubt confusing my audience in the process. So I did consider watching something more well known but then, for whatever reason, I changed my mind.
So we head back to the anime well to tackle this movie. Now I knew of this movie as it has a reputation with anime fans in that a) it was an early effort from director Mamoru Oshii (the man who would later give us Patlabor 1 & 2 and Ghost in the Shell), b) it is something more of an art piece than a movie and c) is near incomprehensible. Still, I'm game.

And it would seem that this movie's reputation is well deserved. Sure the animation is impressive and the art direction is stunning, but there is a lot of symbolism being put to work here - and one can understand how it may be off-putting. It should be noted that, in regards to this movie's puzzling nature, it was built around a loss of faith. And there is certainly a lot of Christian symbolism throughout this movie although whether or not it works is anyone's guess (it should be noted that Oshii himself still seems puzzled by the finished product). Personally, this is certainly a visually striking movie but what one gets out of it is up to them.
As for next week? I think I have exhausted this run of lesser known movies - so i think i will go for something more familiar..

Eyes of my Mother

And this week's Friday night movie has been... The Eyes of My Mother!

Original image located here. Accessed 30th October 2020

Behold: the final entrant in this year's clutch of October horror movies.
Now in my view, there are two kinds of horror movies: There's those with the jump scares and there are those that rely on mood and a creeping dread.
Guess which type i find myself gravitating towards.

And in the terms of creating mood, this movie has it in spades. The black and white imagery is effective and use of atmosphere, quiet, and a slow build up prove to be the most potent things going for this movie.
Granted there are moments that don't work (ie, the abrupt plot developments, the use of torture, a middle section which seems to lag and the vibe of this movie being the bastard lovechild between a horror movie and an art-house movie) but as a depiction of trauma, loneliness, being cut off form the real world and being warped a young age, when this movie hits, it knocks it out of the park.

It Must Be Heaven

And this week's Friday night movie has been... It Must be Heaven!

Original image located here. Accessed 24th July 2020

Let me say this up front: I am not a fan of 'arty' movies. You know the type I'm referring to: The kind of movies that are loaded with images that have symbolism and little else. The kind of movies that have no plot favoring instead a series of non-sequiturs. The kind of movies that thrill critics (read: people who write words for a living). And the kind of movies that come across as being self-indulgent and clearly made by one guy yelling "Ask me what it means!" in a non-stop fashion.

So one would think that I would despise this movie. And yes I will admit that was indeed a challenge to get through. But if that was the case then it must have made some kind of impression on me. Considering that director Elia Suleiman dominates on both sides of the camera, this movie still doesn't strike me as self-indulgent.
There is indeed humour at work but it is strange to see it amongst scenes that don't appear to go anywhere. There is a hypnotic quality to this film but it appears to be at odds with a commentary on being a Palestinian.
So yes, this is quite an odd movie but at the same time, it has indeed a seductive quality to it. And that is enough to save it from being a target of contempt.
After all, if a movie can do that then it must be doing something right.