Mulan: Rise of a Warrior

 And this week's Friday night movie has been... Mulan: Rise of a Warrior!

Original image located here. Accessed 25th July 2025

Here's something leftfield: A Chinese movie made about the legendary figure Hua Mulan. Now I've seen the Disney animated film - which I imagine is how a lot of other people became aware of this story - and thoroughly enjoyed it. So why not have a Chinese production take on the same source material? It is, after all, their story.

This is a movie that left me with a lot of mixed feelings: On one hand, the battle scenes are exciting and there is some great imagery throughout. But on the other hand, this is a slow movie. Some moments drag on and that is effectively the death blow to this movie. I have seen numerous epic movies based around a singular figure and I can tell you this is a genre that one has to go all out: It can't afford to be boring. And in this case, yes the second half may be thrilling but the first half was a slog to get through. 

It was engaging yes but somehow I felt the animated Mulan had a lot more personality. 

Josee, the Tiger and the Fish

  And this week's Friday night movie has been... Josee, the Tiger and the Fish!

Original image located here. Accessed 18th July 2025

Sometimes you go see a movie for the wrong reasons. And this is one of them.
Recently this movie has been generating disgust for it's plot: A guy is hired to be a carer for a woman confined to a wheelchair and they eventually both fall in love. Such disgust is based around the idea of fetishism. Or something.
Of course, such outrage could easily be written off as nonsense but it did make me aware of this movie so I decided to take a look at it for myself. 

So I watched with this with Kiera and we both enjoyed it. If anything, this is the story of two lost souls eventually finding each other. It's funny, charming and ultimately very touching. 
And whilst anime, as a genre, may be slammed for promoting unrealistic romantic expectations upon it's audience, what we have here are two people who have their own hopes and goals and how they inspire the other to pursue it. 
Throw in some great visual designs and we have a winner, 
Sometimes you go see a movie for the wrong reasons. And sometimes you can end up striking gold. 

How to Train Your Dragon (2025)

  And this week's Friday night movie has been... How to Train Your Dragon!

Original image located here. Accessed 11th July 2025

I will admit that I was something of a latecomer to the How to Train Your Dragon movies - but no matter: I still wound up adoring them. I equally enjoyed watching Race to the Edge. I even jumped  aboard the HMAS Hiccstrid. 

Of course, I had no plans to watch this - if the frosty reception of the Disney remakes is anything to go by - but Kiera had other plans and dragged me to it. Still, my cynicism remained: How can Live Action improve the animated splendour of the original?

I will say this: It's beautifully shot, the cast are all great, the designs are fantastic, the excitement is still there, there is a clear commitment being put into it and the strength of the source material still resonates. 
But there is still a slavish loyalty to the original: there is no need to make any improvements and there's nothing the animated original didn't do better. Furthermore, I think the original had more personality.

So yeah, it's a rollicking adventure movie but I still can't see what the point of it all was.
Mind you, if you told me that this was ploy to secure composer John Powell an Oscar then I'd believe you,
Can't wait for the Live Action remake of Shrek though...

Born on the Fourth of July

 And this week's Friday night movie has been... Born on the Fourth of July!

Original image located here. Accessed 4th July 2025

I couldn't resist.

Jokes aside, there is nothing funny about this: a biopic about Vietnam vet Ron Kovic, tracing his story from childhood to adulthood. We see him fighting in the conflict, becoming paralysed and confined to a wheelchair, coming home and struggling to readjust to a civilian life, pursuing hedonistic pleasures to zero satisfaction and eventually becoming an anti-war activist.

I have a feeling that if this movie was released today it would be written-off as Oscar Bait. It certainly ticks the boxes that are favoured by the Academy and it certainly goes a long way to humanise those who fought in a very unpopular war. But somehow, this movie still stands on it;s own feet purely through it's lead: Tom Cruise.
For a long time. Cruise was a punchline: so much so it is easy to forget that he was truly one of the finest actors of his day. And here he delivers quite possibly his best performance: He inhabits the role of Kovis delivering the fire and pathos necessary to effectively become Kovic. 

This story may sound like one told many times before - indeed Kovic's story is one that many Vietnam vets would have faced - but none could hit like this. 

Rope

And this week's Friday night movie has been... Rope!

Original image located here. Accessed 27th June 2025

Well seeing as it's pride month....

It is an interesting thing with approaching Alfred Hitchcock's filmography: he produced so many movies and a large of them have gone down as classics that it is difficult to pick between them. And as such, a number of his films can slip through the cracks. 
It seems to me that this title is one such movie: Well regarded but nowhere near the likes of Psycho or The Birds. Still should be worth a look...

Maybe it's just me it seems this movies reputation, at least from modern audiences, lies in the fact that the two murderers here are clearly a gay couple. Certainly daring for the time (1948) but that does overshadow the technical achievements of the movie: Its constructed out of ten minute takes. It is impressive that it was done, that Hitchcock had the gall to do it and it suits the story's origins as a stage play well. 
At the end of the day though this was an experiment and whether or not Hitchcock succeeded is up to debate (one could make the argument that the homosexual overtones were far more interesting). Still, this is compelling and it's fun to see The Master branch out and try something different.

Some Like it Hot

  And this week's Friday night movie has been... Some Like it Hot!

Original image located here. Accessed 20th June 2025

Once again, we're going after a big fish: This movie has an impressive reputation as one of the greatest comedies ever made. And, from an outsider such as myself, this movie also appears to rank very highly amongst both women and the LBGT community - I suppose that's what happens when you make a movie based around two guys who are forced to dress in drag.

But who am I kidding? This was hilarious. Time hasn't aged it at all and the jokes still hit the mark. Tony Curtis and Jack Lemmon make for a superb duo and Marilyn Monroe is in her prime. 
It's a great example of a farce done right and some razor sharp satire. And a lot of movies that have followed since can only wish they were this good. 

Lilo and Stitch

And this week's Friday night movie has been... Lilo and Stitch (2025)!

Original image located here. Accessed 13th June 2025

I didn't plan on seeing this but Kiera dragged me to it. So here we are.
I think at this point the Disney remakes have been shaping up to be a series of disappointments. Complaints have been running rampant such as not offering anything new, lifeless in comparisons to their animated source material, blatant in it's cash-grabbing nature, and buckling to the bad-faith criticism internet nerds like to spruik. For such reasons, I have been hesitant in taking on these films.
Still, that a Lilo and Stitch remake exists is a surprise: It wasn't part of the Renaissance and it never seemed like one of the box-office successes. But I adored the original so maybe there will be something?

Well it wasn't bad. 

There are some good jokes and the heart of the original is still there but it's buried under an approach that is bigger and louder. It's the classic 'shock and awe' tactic: Give the audience a lot and within a short space of time and they wouldn't have time to look at it more closely. 
And that does leave an unpleasant aftertaste as the original wasn't a large scale narrative. It had something that worked. And that something was still present with this one (although I do feel Nani was done dirty in the end). 

Mind you, I do want to know what kind of witchcraft Tia Carrere is using to preserve her good looks.

The Straight Story

  And this week's Friday night movie has been... The Straight Story!

Original image located here. Accessed 6th June 2025

Once again, I face down a movie that I have been wanting to see for a long time. I suppose the recent passing of director David Lynch is as good a time as any.
Funnily enough, I hadn't seen any David Lynch movies but I knew of his works through reputation: Surrealist imagery, eccentric characters and an interest in dreamlike states. And he also made Mulholland Drive which baffled my father so much, I heard about it for weeks afterwards.
So it is unsurprising that my first David Lynch movie would be the one that has the reputation of being his most conventional one. Furthermore, the story of Alvin Straight and his journey of travelling a 390 kilometre journey atop a ride-on lawnmower sounds like one that would make for an interesting movie. 

For someone who is unfamiliar with Lynch's work, I can still tell that this is a breed apart from his oeuvre: None of the tropes I mentioned in the previous paragraph are present here. Instead, this is an empathetic look at Alvin and the journey he takes. We see the people he meets and interacts with on the way and we gain insight into his way of thinking, built up through years of experience. And we learn his belief in family. 
It may sound dull but it is absorbing, largely due to Lynch's directing and the committed performance of the late great Richard Farnsworth. Whatever gamble this movie may have initially appeared to be, ultimately paid off. 
Sometimes the most compelling movies can be the most deceptive, you know?

Solaris

 And this week's Friday night movie has been... Solaris!

Original image located here. Accessed 30th May 2025

Here we are folks: The classic 1972 Soviet movie that was intended to be a response to 2001: A Space Odyssey but has since become something of a classic in it's own right. Certainly I knew of this film and I had seen the remake that starred George Clooney so what do I make of this?

It's long that's what. Nearly three hours and it comes across as something of an endurance test, with some pointless scenes and a pace that moves faster than a molasses flood. I will give credit to the director Andrei Tarkovsk for demanding that the audience approach the movie on his own terms but that is still quite a demand.

Still, I will give credit for this movie for it's ideas and the hypnotic approach. And the final scene is indeed one I never saw coming. 

Singin' in the Rain

 And this week's Friday night movie has been... Singin' in the Rain!

Original image located here. Accessed 23rd May 2025

Last year I watched quite a few musicals - more than I would regularly watch in a year (i.e. more than zero). So I may as well go the whole hog and go for the big one. Sure we all know the titular song but what of the movie attached to it?

Have you ever seen the kind of person who can enter a room full of people and, through a combination of personality and charisma, win over everyone in said room with little to no effort? That's what this movie is. The songs are catchy, the dancing sequences are insane, the humour hasn't aged at all, and exuberance just leaps out of the screen. 

Not much else to say except that it seems that this is an eternal classic for a damn good reason. 

The Wrestler

And this week's Friday night movie has been... The Wrestler!

Original image located here. Accessed 16th May 2025

A lot has been said about this movie, with it being the resurrection of Mickey Rourke's career and being one of the best movies of the 2000s. So it therefore becomes difficult to bring something new to the table.
Personally I enjoyed it and think the approach of making this movie comparable to a documentary worked wonders. Rourke is in top form and credit is due to taking wrestling seriously. 

So is this movie the evil cousin of Rocky and Raging Bull? Well that's one way of putting it. But personally I find it fitting that this movie came out the same year as Iron Man: Both movies

• star an actor who had fallen out of favour, 
• delivering a performance that effectively breathes new life to their career 
• in which they play someone who mirrors their personal life.  

But ultimately this wasn't an easy watch so next week I think I might watch something more fun *checks schedule*....Oh hello.....

Kneecap

 And this week's Friday night movie has been... Kneecap!

Original image located here. Accessed 9th May 2025

 Behold: A movie I wouldn't have heard about had it not been for a friend who told me about it.

So what we have here is a bio on Northern Irish hiphop act Kneecap. It has the band members playing themselves and shows their rise to fame along with the trials and tribulations they go through. Standard music bio pic right?

Wrong! Yes this genre can very easily fall into formula but this movie wisely avoids it. Part of what makes it unique is that it frames to band's story alongside that of Northern Irish identity: defying the British and preserving both the language and the culture. 
It also helps that this movie takes the approach of being grimy, anarchic, playful, creative and funny. 
So props to this movie for not only breaking step from formula and running in the opposite direction.

Also, does anyone think that Detective Ellis may join the ranks of cinema's most memorable villains?

Operation Filmmaker

 And this week's Friday night movie has been... Operation Filmmaker!

Original image located here. Accessed 2nd May 2025

Here we are with another documentary that started in direction but ended up in a completely different one.
In 2003 during the War on Iraq, a young man, Muthana Mohmed, was caught on camera lamenting how his aspiring film career had been ruined: First by the then current regime and then by the US Armed Forces. This caught the attention of Liev Schreiber who then sought Muthana out and invited to take part in a film Schrieber was making (Everything is Illuminated) as an intern. 
Surely this is a one-in-a-million success story but this documentary is more about what happened next.

Needless to say it isn't pretty: What follows is Muthana's misadventures navigating the world of filmmaking: He doesn't do the work he is assigned, makes no effort to build connections and network, spends quite a lot of time partying, bounces from film-set to film-set, is warned by his countrymen to not return to Iraq, relies on the goodwill by the people around him, acts entitled, keeps adding to his visa, and tries to get into film school.

Yet at the same time, there is another narrative going on at the same time: that of the people around Muthana. They are relying on the good intentions that got him out of Iraq and are offering no help whatsoever. Indeed, it is telling that, in the last twenty minutes, Muthana turns on the people filming him and lashes out at them. 

So who is the bad guy here? It's unclear that's for sure but that's what makes this documentary so compelling. Uncomfortable viewing? Damn straight but it's hardly dull.