Zombieland Double Tap

And this week's Friday night movie has been...Zombieland Double Tap!

Original image located here. Accessed 25th October 2019

I saw the original Zombieland and thought it was a right laugh. So it is somewhat inevitable that I would approach the sequel. However caution was still exercised: Where can you go from the original? That and a decade is a long time between drinks...

Turns out there is still a lot going for this movie. The jokes are funny, the self-awareness is still on point, Woody and Jessie still make for a fun on-screen partnership and Nevada makes for an interesting addition.
But ultimately, there is no way around the fact that this sequel took a decade to emerge. So it makes me wonder just how many drafts went through because it is clear there are some good ideas here that, for one reason or another, don't reach their full potential.
Firstly, the circumstances surrounding Little Rock's departure seem ....odd. I would accept it if she was a teen but she's not: She's clearly in her early-twenties. In any case, she is then left by the wayside for much of the movie to make way for Madison.
Speaking of which, Madison strikes me as a wasted opportunity. Sure she's a 'dumb blonde' and endearing in an adorable way but only for so long. You want her to contribute something but nothing of the kind comes which makes me wonder if the writers had no idea what to do with her.
And speaking of wasted opportunities, there's no shortage of them here. One of which being the world-building: We see the zombies have evolved but little seen of these new breeds. There are more survivors but no indication of HOW they've survived.

So yeah, it was a fun movie but severely hindered by some unfocused writing. Here's hoping a sequel doesn't take another decade to come.....

The Blair Witch Project

And this week's Friday night movie has been....The Blair Witch Project!

Original image located here. Accessed 18th October 2019

Once again I face a movie that has a fearsome reputation attached to it. The most profitable indie movie ever made. A movie that freaked people out into never going camping. A pioneer for viral marketing. A benchmark for the found-footage genre. A shining example of how atmosphere and 'what you don't see' are effective tools for the would-be horror film director. A dull movie about three idiots who get lost in the woods.

Personally I recall back in 1999 how this was a big deal and how people were divided with some saying it was freaky while others saying it was boring. Once again, however, i took my time to come to this movie because I felt it was important to see it through my own eyes and divorce it from the hype machine that made this a big hit. And twenty years would make for a good enough distance.

If anything this movie is a triumph of independent filmmaking: It's embraces it's limitations and relies on clever editing to engage the audience. The 'what you don't see' trick works wonders here and makes for a gradual build up of the horror. Equally effective is the gradual collapse into panic the protagonists go through and harrowing climax in the house.

This movie may be cheap and grimy but personally, I like horror movies that rely on mood and a creeping dread. And to the end The Blair Witch project succeeds admirably.
Twenty years on and it still has power.

The Creature From the Black Lagoon

And this week's Friday night movie has been....The Creature From the Black Lagoon!

Original image located here. Accessed 11th October 2019

My first encounter with The Creature of the Black Lagoon happened during my pre-teen years. I would go to my local arcade parlour and see, among others, a pinball game dedicated to it. I didn't play it but I do recall being put off by the artwork: There was something seeing a monster carrying a (potentially comatose) blonde in a white one-piece that unsettled me. Of course that doesn't sound ridiculous in a post-MeToo world - and it should be noted that the game was more to do with seeing the movie in a drive-in theater than the actual movie itself - but in a roundabout way, my curiosity was piqued.
Further interest was generated with the movie being the inspiration for the Shape of Water (the movie not the book).

That being said, this is a 1950's monster movie through and through. So there's lot's of screaming, rubber monster costume, loud dramatic music and damsel-in-distress-ness. Still, the real highlights for me are the use of suspense, the gradual build up before the reveal of the creature and the underwater footage/movement. And the monster itself still looks impressive. And, in some instances, scary.
Looks like this movie still has merit sixty-odd years later

Frankenstein

And this week's Friday night movie has been....Frankenstein (1931)!

Original image located here. Accessed 4th October 2019

Well it's October so of course I'm going to see some horror movies these next few weeks. And what better way to start than with the granddaddy of them all.

I often find it a danger to approach a movie from the pre-New Hollywood era as they tend to date rather horribly. That is not the case here. This still holds up by providing plenty of mood and unease. And it all holds together with Boris Karloff's performance of the monster with both freakish and humane.

Not much else I can say except it seems it's reputation as classic is justified and looks set to endure.

The NeverEnding Story

Recently I watched the NeverEnding Story for the first time in a long time.

Original image located here. Accessed 29th September 2019

Geez, when did I see this last? I had only seen this once before and it was when I was in primary school, either in year 1 or year 3. Still, I do recall this being one of my earliest exposures to fantasy. As such, there is a lot from it that I remember quite vividly: I remember Rockbiter; I remember Falkor; I remember two sets of Sphinx statues (one gold that shoots death rays, the other blue that crumbles); I remember the trauma-inducing fate of Artax and, of course, I remember that unforgettable theme song in all its eighties-synth glory.

Looking back at it now through the perspective of nearly thirty years, I see some things I don’t recognise in the form of the Gmork and the climax where Atreyu meets the Childlike Empress. Furthermore, looking at the movie through the perspective of an adult, I have to admit that the film that the film still holds up with the use of puppetry, practical effects and the strength of its ideas. I have previously stated that the eighties fantasy movies tend to look a lot more grungier than their post-Lord of the Rings cousins and this is no exception.

However, one thing that strikes me about the Never-Ending Story, particularly through an adult perspective, is that it doesn’t look like a High Fantasy movie. If anything, I can’t help but notice but Fantasia looks kind of…..well…barren. The population is sparse, there is little to no sign of civilisation, and Atreyu’s quest seems to be going from location to location with stretches of empty-looking distance in between. Rockbiter, Nighthob and Teeny Weeny are shown as messengers for regions that are never shown and the Childlike Empress is the only sign of authority which makes me wonder just how much authority she actually has. Okay granted the film-makers of the time most likely didn’t have the budget to produce a living, breathing world (like Lord of the Rings) but we are told that Fantasia is a dying world – and yet shown at the same time that Fantasia is kind of empty. I swear, I can’t be the only one who noticed that the Southern Oracle is shown to be situated right in the middle of nowhere.

In fact, as strange as this may sound, I’m getting a Legend of Zelda vibe from this movie. Allow to me explain: When I played the original Legend of Zelda I realised that we have a protagonist, Link, traversing across a dangerous and sparsely populated world in order to help out an unseen monarch (Princess Zelda). The idea was a strong one and enough to make me wonder that if Hyrule is in the state it was, what kind of power Zelda had. Of course that maybe me trying to find a truth that wasn’t there to begin with but it’s the same wavelength with the Never-Ending Story. Indeed, I can’t help but think that whether the Never-Ending Story informed my perception of Legend of Zelda.
But at the end of the day, this movie still has wonder, inventiveness and holds up quite well over three decades later. And hey, who wouldn’t want to ride across the skies on a luck dragon?

Amy

And this week's Friday night movie has been....Amy!

Original image located here. Accessed 27th September 2019

Yep, it's the documentary based on the life of one Amy Winehouse.
At the time, when her career was in full flight, I didn't pay a lot of attention to Amy. I heard little of her music but I DID hear a lot about her daily escapades with drug & alcohol abuse and constantly making a fool of herself in public. Indeed, it's not a good sign when you find yourself asking 'Wait, she's a singer?'.
However, most of my knowledge about Amy Winehouse has been informed through reading the book Cradle to the Stage (by Virginia Hanson-Grohl). And the section dedicated to Amy, as recounted by her mother Janis, paints a picture of the eternal rebel, fiercely resisting advice, warnings, common-sense and any form of order and structure. And suddenly Amy's famous declaration of "They tried to make me to go rehab / I said: No No No" seems less defiant and more petulant.
So can this documentary present some new information?

Much like Mystify: Michael Hutchence, this is a documentary built out of (mostly) home video footage and the accounts of the people who knew the subject. It does indeed show Amy at her best, a singer and a writer, and at her worst. It doesn't shy away from the rebel image (as described above) and it is saddening to hear the attempts from various people trying to stop Amy from her self-destructive tendencies only to fail.
Indeed, it is depressing see Amy go from a young, pretty and charismatic performer into a mess. Going into the documentary, we all know how the story ends but that doesn't make the journey any less harrowing.
Still it is impressive to see the amount of material the makers of this documentary had to work with. A stand out for me was the footage of her in a studio working alongside her hero Tony Bennett. And a story from a friend who bursts into tears as she tells it.
So in the end, like any good documentary, this is raw, honest and leaves a sizable impression

Once Upon a Time in Hollywood

And this week's Friday night movie has been...Once Upon a Time in...Hollywood!

Original image located here. Accessed 20th September 2019

During my teen years I really did not like Brad Pitt and Leonardo Di Caprio as they, to me, represented this 'pretty boy' image that i had no hope in hell of matching. Who would've guessed that they would end up starring in a movie together? And not only that, but prove to be such a formidable duo?

Stars aside, this is advertised as a Quentin Tarantino movie and, as such, has some of what we've come to expect from a Tarantino movie: References for the movie geeks, a passion for film history and veteran cast members being handed unique roles. It also has the ultra-violence and the cussing but that isn't the point....

So what this is is Tarantino recreating Hollywood in the sixties. The recreations are fun, the attention to detail is superb and the familiar faces are interesting to spot. As mentioned above, Leonardo and Brad make a great partnership but for me the real star is Margot Robbie - she never disappoints and her role as Sharon Tate is interesting as Margot does so much with so little.
All in all, it's another gem from Tarantino which, considered his extensive oeuvre, is saying something.
Who would've guessed that hippies would be so dangerous?

Office Space

And this week's Friday night movie has been....Office Space!

Original image located here. Accessed 13th September 2019

Some of my buds have been urging me to see this, citing it's hilarity and situations I may find familiar. Personally, i had no idea that this movie existed but I'll try anything once.

And as it so happens it was funny. I can't say some of the situations in this movie has happened during my job (thankfully) but there is indeed some relatable elements in them and there were some decent laughs to be had.
Oh and when my home printer eventually gives up the ghost i am definitely giving it a send off reminiscent of the one portrayed in this movie

The English Patient

And this week's Friday night movie has been....The English Patient!

Original image located here. Accessed 6th September 2019

This movie was a major hit in the nineties but, as someone who lived through that decade, I don't recall it being a big deal. Maybe I, at the time, had my concerns directed elsewhere but I only became aware that this was a big deal when it swept the board at the Academy Awards.

As it turns out, it's not a bad film. Much has been said about it's cast but for me, the true star is the photography. The location shooting is nothing less than astonishing and is truly a sight to behold. It looks real, like you, the viewer, are there, in that environment. Equally impressive are the scenes involving examining painting on a cave wall and seeing frescoes by the light of a flare.
Personally i didn't care much for the love story but the visuals are what make this film. And that is more than enough.

The Abyss

And this week's Friday night movie has been....The Abyss!

Original image located here. Accessed 30th August 2019

Apparently director James Cameron is real keen on underwater exploration....
Okay, seriously: I've been wanting to see this movie ever since 1989 (!) when I first saw the advertising poster and thought it is ominous enough to grab my interest. An interest, it would seem, has not waned over the course of three decades...

I do enjoy James Cameron movies and this one didn't disappoint. There's the action and special effects I have come to expect from him but what marks this movie as special is the build up. There's tension, some brilliant photography, and an atmosphere that will make more modern movies green with envy. And the movie has indeed aged well when compared to other movies of the era.

Not much else i can say is that who would've guessed thirty years would be worth the wait?
(of course I've had longer waits to see certain movies but still...)

Her

And this week's Friday night movie has been....Her!

Original image located here. Accessed 23rd August 2019

Hasn't this been a major hit: A movie about a guy who falls in love with an AI? Personally, I approached this movie with caution: I've seen a lot of anime which plays off a similar scenario (ordinary guy falls in love with anything-but-ordinary girlfriend in a story that is out to pander to an audience of guys who struggle with the world outside their bedroom) so can this movie do more than rehash an oft-played scenario?

Apparently it can. This is indeed an odd movie - but I suppose that is par for the course with Spike Jonze. It certainly has some things to say about getting over a breakup and moving on - but the way it is going about it is indeed something else. It's funny at times and emotionally intense other times. It is clever, challenging and not afraid to go for the jugular with it's emotional punches. And the two leads are great with Joaquin Phoenix carrying the movie and Scarlett Johansson giving the performance of her career (impressive when she is only present in voice).
Is it like the anime I mentioned in the previous paragraph? Maybe, but it is interesting to see a familiar trope being taken in a different direction.

It's a very good movie yet I can't help but think that it's just as well that the movie got made when it did (2013). because in a post-MeToo/Elliot-Rodger world one would think that a socially-maladjusted, emotionally-crippled, confidence-challenged protagonist would be one heading down the path of a villain.

Tombstone

And this week's Friday night movie has been....Tombstone!

Original image located here. Accessed 16th August 2019

Oh boy have I been wanting to see this for a long time. I enjoy westerns and this one has the promise of some of the snappiest dressed gunmen in any western. That and a sizable number of big names in the cast.

It's not a bad western. Oh sure it may be somewhat overlong, sure it may be meandering and sure some of the characters just come and go but I was impressed by the production values, the action sequences ("NO!!") and how both Val KIlmer and Kurt Russell make their mark - and how everyone else still manage to hold their own. It may not be historically accurate but it still has a lot of fun. There's some great lines herein too.
So in the end, it's not bad western and worthy entrant into the genre.

The Accountant

And this week's Friday night movie has been....The Accountant!

Original image located here. Accessed 9th August 2019

Once again I pick up with a movie built around a character who is on the Autism spectrum. What makes this different though is this time, instead of a rom-com as per previously, we have an action movie.

Obviously this movie is giving an action movie hero that autistic kids can look up to and to that end the film is admirable - a socially awkward, mathematically gifted guy who can punch and shoot goons without flinching and has enough resources to make James Bond worried? Has potential. Furthermore, Ben Affleck is certainly giving a committed performance and the action sequences are well done. But there are moments in the plot that seem incoherent and baffling to the point of frustrating.
Still, as indicated above, this movie has it's heart in the right place so I'll give it that much.