And this week's Friday night movie has been... A Star is Born (1954)!
AKA: The one with Judy Garland in it.
Given that Hollywood has done four versions of this movie the big question is: Why do people keep coming back to it? One likely reasons is that the plot summary has an eternal appeal: The contrasting storyline of a young and upcoming actress making their mark whilst the veteran, experienced actor tries a comeback and fails. With the universal theme of chances - both first and second - it certainly helps to have some parallels in real life.
With this in mind, lets consider this iteration:
- This was one of Garland's final films after years of personal struggles and some misfires.
- Director George Cukor was offered a shot at doing the 1937 original but he turned it down as he felt it too similar to another film he directed What Price Hollywood?.
So compared to it's older brother, does this one have something of it's own to say? Well it's longer and, as was the trend of the time, it was a musical. Now I personally found the length to be problem as it certainly was a slog to get through - matters weren't helped in that this was a restored version with some missing scenes added with stills and dialogue that came across as pointless and justifiably cut.
But whatever problems I may have had with this film, they are easily forgiven with the knowledge that this is, without question, Garland's show. She pretty much carries this movie and is a presence to behold. She is funny, dramatic and can pull off some effective musical numbers (see The Man That Got Away and Born in a Trunk).
Personally I found the first A Star is Born a tough act to follow but that doesn't mean this isn't a worthy contender.
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