On the Waterfront

  And this week's Friday night movie has been... On the Waterfront!

Original image located here. Accessed 12th April 2024

Best Picture Oscar winner no.: 27 (1954)

Seeing as we currently going though the 1950s Best Picture winners, it is important to take a step back and see what was going on in Hollywood at the time.
It should be noted that this decade gave cinema some major competition in the form of television: A smaller screen but one that found it's way into many people's homes. So how did film producers rise to the challenge of getting people out of the house and into the cinema? By playing up the whole spectacle angle, offering the kind of visuals that couldn't be found on a smaller screen. So yeah, from here movies start getting bigger, pushing the envelope as to what they could accomplish. 
So where does this movie fit in? Well On the Waterfront seems to take the angle of presenting a realistic and grounded story. It may seem out of place compared to the other winners of the decade but on the other hand, On the Waterfront (as well as Marty) doesn't look like the kind of stuff a small scale TV screen of the day would tackle. 

It seems that this movie's success hinges on two men: Director Elia Kazan and actor Marlon Brando. The former made this movie to address his pariah status in Hollywood when he identified eight communists in the film industry, the latter effectively rewrote the rules of film acting. So how does this movie stand up against the march of time?

No doubt about it: this is Brando's show all the way through. The taxi scene may have been quoted many times but it would seem for a very good reason. Sure the Christ analogies may have been heavy handed but this is still engaging decades later. Particularly the final scene which still packs a punch

From Here to Eternity

 And this week's Friday night movie has been... From Here to Eternity!

Original image located here. Accessed 5th April 2024

Best Picture Oscar winner no.: 26 (1953)

If people know this movie it's because of that unforgettable image of it's two stars, Burt Lancaster and Deborah Kerr, in a passionate embrace in a beach as the waves roll around them. That's all well and good but what of the movie attached to said image?

In recent years it has become something of a joke that if you want to win big at the Oscars, then just make a movie based on World War II. In which case I think we can blame this movie for that observation. Keep in mind this was made eight years since the end of the war and would no doubt be still fresh in people's minds.
So what we have here is a group of soldiers going through various trials and tribulations, both on and off the military grounds, that eventually leads to a climax where Pearl Harbour is under attack. 
So yeah, I do like that this movie is taking a humane approach to it's subjects - which in turn makes the climax hit hard. Certainly the movie may look archaic now but there is still a lot going for it.
Still I have to wonder if those was the film that Michael Bay had in mind when he made Pearl Harbour...

Ghostbusters: Frozen Empire

Recently I saw Ghostbusters: Frozen Empire.

Original image located here. Accessed 4th November 2024

Well Afterlife was a hit and proved there may be some life in the franchise yet so it should come to no surprise that a sequel would emerge. 

Thing with Ghostbusters though, is that the original movie was a satire of 1980s action heroes - a truth that would no doubt have gone over the heads of it's dedicated fanbase. So the further this franchise advances from the Reagan era, what else can it say?
The impression I got from this movie is that it appears to be at odds with itself.
On one hand the OG Ghostbusters are there to pass the torch to the new guys. But on the other, they seem to play a more active role in the action.
On one hand Melody gives the idea that ghosts are friendly. But on the other, she has her own agenda.
On one hand the film is trying to say something of it's own. But on the other, there are plenty of call-backs to the first movie.
On one hand Phoebe is set up to be the main character. But on the other, there's a large cast here with everyone clamouring for a time to shine.
On one hand it's great to see some familiar faces return. But on the other, they are still competing with the already large cast for something to do.
On one hand the threat has a load of potential. But on the other, it is overcome quite anti-climatically. 

The list goes on.

Where do we go from here indeed....

An American in Paris

 And this week's Friday night movie has been... An American in Paris!

Original image located here. Accessed 29th March 2024

Best Picture Oscar winner no.: 24 (1951)

One thing that has arisen from partaking in this year long quest to watch more Best Picture Oscar-winning movies is that I will be stepping out of my comfort zone and watching movies and genres I wouldn't otherwise have given the time of the day. I don't have the best connection with musicals - as I believe the greatest musical movie ever made is the South Park movie - but I am willing to give a chance to any movie to see if it surprises me, 

Well I did enjoy the music and I was astonished by the dance chorography - in particular that astonishing fifteen minute one at the end. But this movie has not aged well: Beyond the spectacle there's not a lot else to this movie and the plot of 'guy hitting on friend's girlfriend' will certainly rub more than few people the wrong way. 
And to think that this won Best Picture over A Streetcar Named Desire. Sheesh....

All About Eve

 And this week's Friday night movie has been... All About Eve!

Original image located here. Accessed 22nd March 2024

Best Picture Oscar winner no.: 23 (1950)

One of the undisputed classics of cinema. It tells the story of an aging theatre actress taking on a younger protégé only for the latter becoming more successful and famous than the former.

It seems that this movie's reputation relies on the performances - in particular that of Bette Davis - as well as the witty dialogue, the satire and the general nastiness involved. Personally I'm not one to argue with such an assessment so yeah, this was a lot of fun to watch. 
Having done a number of stage shows, can I confirm that such an environment is anything like this? Yes and no. Yes I may have had my share of bitchiness in certain shows but other times I have found such an environment to be very supportive. Guess a lot depends on which cast you end up surrounding yourself with...

All the Kings Men

 And this week's Friday night movie has been... All the King's Men!

Original image located here. Accessed 15th March 2024

Best Picture Oscar winner no.: 22 (1949)

I was drawn to this one as it tells a story that would sound familiar to modern audiences: A lawyer makes the leap into politics where he appeals to the common man. Utilising claims that he represents their interests, the politician goes from strength to strength but it isn't long before he starts getting his hands dirty.

For a movie made in 1949 this is hasn't aged and is still relevant (unfortunately). It was even quite ballsy for the time, having elements that I wouldn't have expected from a movie of this era. And it is equally surprising that a movie of this nature would've won Best Picture at the Oscars.
But what makes this movie particularly interesting is the unclear nature of the protagonist: Was he a good man seduced by corruption of power? Or was he already a bad man whose intent truly came out when success came? And that's what makes this movie shine.

Hamlet

 And this week's Friday night movie has been... Hamlet!

Original image located here. Accessed 8th March 2024

Best Picture Oscar winner no.: 21 (1948)

 I recall watching the Academy Awards on TV back in 1998. It was the seventieth anniversary year so, as part of the broadcast, a montage was shown of previous Best Picture winners. Many of these winners were new to me and I saw plenty of names I recognised. But one standout was the 1948 winner: An actual adaptation of a Shakespeare play.
This was a major surprise to me because the Academy didn't strike me as the kind who would honour such an adaptation. This is compounded by the fact that, as anyone who has adapted Shakespeare will tell you, the challenge presented by Shakespeare is taking material that has been performed countless times before and putting a new spin on it. 
Needless to say, when I started this year-long project, this was one movie I was keen on seeing - moreso considering that this featured Laurence Olivier, quite possibly the greatest Shakespearean actor ever lived, in the title role. And director. And producer. 

And what Olivier does is approach the title with that of a horror movie. There are plenty of shadows, towering sets, lots of fog, and striking angles, all building up to an astonishing atmosphere. And even the Ghost is the most frightening interpretation that I have ever seen.
Other highlights are Jean Simmons' performance of Ophelia, nailing the moment where she goes insane, Patrick Troughton (yes, THAT Patrick Troughton) as the Player King, the handling of Claudius' character and the final duel. But in the end, it's Olivier's show and he delivers in spades.
Certainly a surprise to see a Shakespeare adaptation win the Best Picture Oscar but it seems it was a well-deserved winner.

The Best Years of Our Lives

And this week's Friday night movie has been... The Best Years Of Our Lives!

Original image located here. Accessed 1st March 2024

Best Picture Oscar winner no.: 19 (1946)

Last month I watched Mrs Miniver so it's fitting I should watch this. That's because both films share the same director, William Wyler, and both have the same DNA. Whereas Mrs Miniver was a film made during World War II and focuses on the civilian life during the war, The Best Years of Our Lives was made after the war and focuses on the lives of three servicemen as they adjust to the aftermath. 
Well, you can't accuse the Academy for not lauding films that tackle topical narratives.

I assume it would be safe to say that this movie perfectly described the feelings and mood of people in the aftermath of World War II. And if this movie exists to function as a document of that time period then it is well and truly successful. It is, if anything, honest and challenging - pretty much all that a great movie needs to do. 

Kamikaze Girls

Recently I saw Kamikaze Girls (Shimotsuma Monogatari: Yankī-chan to Rorīta-chan)!

Original image located here. Accessed 5th November 2024

For me, there are three kinds of Japanese cinema. There's the first which is anime. There's the second that says it's own thing to an attentive world (ie the films of Akira Kurosawa). And there's the third kind: one's that dedicated to throwing as much weird/random stuff as it lay it's hands on.
But the most fascinating thing I have found about the third kind is that it's relationship to the other two: It seems to be a cousin of the first kind whilst trying to distance itself from the second kind as much as possible. 
And Kamikaze Girls belongs firmly in the third kind. And belong it does with mad colours, weird hair, randomness, a celebration of Japanese sub-cultures and a truly off-the-wall sense of humour. Needless to say, it's the kind of movie that takes a particular mindset to be appreciated.

It should be noted that I watched this movie in the company of some Lolitas so it's fair to say that this movie is one that knows its audience exactly.

The Lost Weekend

And this week's Friday night movie has been... The Lost Weekend!

Original image located here. Accessed 23rd February 2024

Best Picture Oscar winner no.: 18 (1945)

There's been this joke circulating that winning the Best Picture Oscar is guaranteed if one makes a movie about someone trying to overcome some sort of personal struggle. To that end, the blame for such a trend can be laid on the shoulders of this movie that depicts a guy fighting a losing battle with alcoholism and alienating those around him. 

The difference is however that this movie still packs a punch decades later and still sets a standard that many of it's imitators can't hope to reach. It certainly isn't easy to watch, being a harrowing experience with sprinkles of dark humour, but it certainly is a compelling one. 
It's also a rare instance that, when they feel like it, the Academy can take a risk and reward a challenging movie. Wish they did it more often...

Mrs Miniver

 And this week's Friday night movie has been... Mrs Miniver!

Original image located here. Accessed 16th February 2024

Best Picture Oscar winner no.: 15 (1942)

In recent years I've heard complaints that the Oscars are being too political. Such a notion never made such sense to me as it would seem that they have always been political. Such was the case with this movie as it was a made during a major worldwide event - that being World War II.

So what we have here is a family, and a community, being effected by the War. Of course, this subsequently comes across as being a propaganda piece. Nevertheless, there are some moments of note: The tension from the pilot scene, the character development and the finale in the church. 
It may have been dull in places but it seems that it's humane approach is what makes it succeed.

How Green Was My Valley

And this week's Friday night movie has been... How Green Was My Valley!

Original image located here. Accessed 9th February 2024

Best Picture Oscar winner no.: 14 (1941)

I'm over a month into this year-long undertaking and already something has become clear: The Best Picture Oscars are not necessarily awarded to the best movies, more what was popular at the time.
Having said that I will never understand the hate that Shakespeare in Love gets. Are people really salty that it achieved an upset victory over Saving Private Ryan? And going by that logic, do people hate Moonlight for winning over La La Land?
So what has the above got to do with this movie? Well folks, it's the one that beat out Citizen Kane for the Best Picture Oscar.

Sadly this one didn't do much for me. The trials and tribulations of a Welsh mining town may sound like potential for a compelling narrative but it simply didn't connect with me. Maybe it's because the movie is showing it's age, or maybe the portrayal of the Welsh as singing drunks or maybe it's how depressing life as a Welsh miner really is.
Am I missing something here?
Oh well...

Rebecca

    And this week's Friday night movie has been... Rebecca!

Original image located here. Accessed 2nd February 2024

Best Picture Oscar winner no.: 13 (1940)

To say that Alfred Hitchcock was one of the greatest filmmakers ever lived is a statement that goes without question. However such status doesn't necessarily translate into Oscar success. Hitchcock never won the Oscar for Best Director and only one of his films got the top award. 
And this is it.

I've seen several Hitchcock movies so I am well aware of what to expect. And this one delivers: Excellent cast, moody imagery, suspense, creeping paranoia, shadows and a gothic setting all round. 
Mind you, this is quite a ballsy choice for Best Picture winner: Thrillers/horror movies never really do well, let alone one with a lesbian subtext. But given the source material, accompanied by a master director and producer who knew what he was doing makes for an unstoppable force.