The Cable Guy

And this week's Friday night movie has been... The Cable Guy!

Original image located here. Accessed 30th January 2026

I remember when this movie came out. At the time, Jim Carrey was making a name for himself for his brand of manic comedy and scoring hit after hit. So this took a lot of people by surprise: In this Jim was less funny and more strange & even threatening. Similarly, I recall some confusion as to whether or not it was a comedy at all. 
But it seems that this movie has recently enjoyed some of a reassessment: As often the case, people have come around to it, citing it's the best performance of Carrey's career and first indication that he can do more than comedy - and the man himself seems quite proud of it. In any case, it sounds like a challenge to me. 

From the outset, there are some amusing moments and some overlooked social commentary (more on that later). And whilst Carrey does provide his usual goofball shtick here he certainly comes across as both weird and sinister. 
However it doesn't take long before the criticisms about this movie start rearing their head: It's too weird, it's too dark and Carrey is unsettling in more ways than one. Certainly such criticisms are difficult to miss so the question: was this really a comedy?
I will admit that certainly the setup works as a comedy: Some guy forces their way into another guy's life and disrupts it entirely. And the titular Cable Guy is shown to be obsessed with TV, is of a very strange disposition and clearly has no sense of boundaries. Sure that sounds no different to today where we have countless people spending far too long on the internet and far too little working on one's social skills but did it hit differently back in 1996? Honestly, I wouldn't be surprised if someone made the case that Carrey' character is on the ASD.
But that above question still persists: Is it a comedy at all? Sure there is some potential in the setup that the socially maladjusted guy you know could do something like this but, as the movie proves, it can easily head into thriller territory. And this movie, particularly in the second half, proves quite effective as a thriller. 

But whatever this movie is, it exists on it's own terms. It may not always work but when it does, it does it well. 

From Up on Poppy Hill

And this week's Friday night movie has been... From Up on Poppy Hill!

Original image located here. Accessed 23rd January 2026

I will admit: I have putting this one off. Because like any Ghibli enthusiast, any title that comes attached with a name that isn't Hayao Miyazaki or Isao Takahata is going to have a tough time.
Yes that sounds cruel given the nature of this fiendishly talented studio, but the question of whether this studio can last beyond it's two creators has been floating around for years - And whether or not someone can rise up to the challenge posed by Ghibli's illustrious catalogue is indeed a monumental one.
And it would seem the public would agree as this marks the second effort from Miyazaki's son Goro - he who made the unlikely leap from gardener to director. And if that move wasn't baffling enough, his first movie, Tales of Earthsea, was greeted with a frosty reception. But this time around Goro has an ace up his sleeve: he's working off of a script provided by his father. 
Some might think that this may be counter-productive given the afore-mentioned uncertainty of Ghibli's future, but maybe there's something worth taking a look at...?

I have previously mentioned that even though Ghibli have become synonymous with their fantasy/whimsical movie, the fact that they can do more realistic-based works should not be overlooked. And From Up on Poppy Hill does indeed join that batch with ease. There are some high quality animation, packed with little details and some accurate representations of daily life. Certainly this movie may be leaning hard into the whole 'small-scale depiction of historical events' but hey, stick to one's strengths. 
So yeah, a pretty good movie and proof one needs to keep an eye on the quiet ones....

The Misfits

And this week's Friday night movie has been... The Misfits!

Original image located here. Accessed 16th January 2026

It is impossible to discuss this film without mentioning the fates of it's three stars: Clark Gable, Marilyn Monroe and Montgomery Clift. 
For Gable this was his final film: he would suffer a heart attack shortly after completion. Prior to that the one time King of Hollywood had a string of failures and was looking washed up. Similarly, this was also the final film for Monroe as she was in the middle of drug abuse during filming. And Clift would eventually suffer a car accident that ruined his good looks, derailed his career and led to five years of drug and alcohol abuse before his own passing. 
Because of this, I was reluctant to tackle this film: Sure nothing sells like a story to go with the product but would the tragedies surrounding the stars dwarf the film itself? I mean, it's right there in the title....

There's no way around this: This movie is bleak. Sure the three leads are at the top of their game here but this movie is effectively a musing on the collapse of both the American Dream and the Old West. 
Ultimately however I did find this movie somewhat directionless, as I was somewhat stumped as to where it was going and why I should care.
Granted the three stars are compelling to watch but perhaps there's a reason as to why their real-life fates seem more important than the movie itself. 

Rental Family

And this week's Friday night movie has been... Rental Family!

Original image located here. Accessed 9th January 2026

Well, Kiera wanted to see this so, as always, she dragged me along.

So what we have here is the story of an American actor who has been stuck in Japan for seven years. He manages to find work by being part of a rental service where he provides friendship to paying customers (and I have been reassured that this type of thing does indeed exist in Japan).
Of course this description doesn't really do any justice to the film itself: While this is an effective showcase for the Japanese cast and locales, the real meat here is seeing this movie as a meditation of needing connection, how it is found and what one will do to get it. And to that end, this movie is quite the touching one and a delight to see. 

Given that Brendan Fraser is credited as Executive Producer this is clearly something that he genuinely believed in and wanted to see through. Good for him but I have to wonder if this is a bid for the Best Picture Oscar....

Elio

And this week's Friday night movie has been... Elio!

Original image located here. Accessed 2nd January 2026

Happy new year! Here's to the next twelve months of watching movies - and what better way to begin than with a movie that was tossed out into the world with little to no faith in it.

Once upon a time, there was a little boy who had a keen interest in space exploration. He devoured every book he had on the subject and was very excited when the Voyager 2 probe reached Neptune. He was very keen on UFOs and dreamed of making contact with aliens. And despite his imagination, he was neurodivergent (although he didn't know it at the time) and he had trouble fitting in.

I think this movie was custom made for me. 

Last year I pondered on what could be the least of Pixar's impressive track record and one could make the case that this could be it. Even I will admit that some of the complaints of this movie - it's looking formulaic, has less heart and more manipulation when compared to it's brethren  - may have some legitimacy behind them. 

But what does it matter? This movie spoke to me and still has the sense of child-like wonder that Pixar does so well. Indeed, one look at this, you wouldn't think that this was the result of a troubled production and a poor marketing effort. But in the end, it's the idea of finding somewhere where we all belong that brings it home. 

Truly a superb movie.