Wicked: For Good

 And this week's Friday night movie has been... Wicked: For Good!

Original image located here. Accessed 28th November 2025

Well I said I will watch the follow up to the first movie so here we are. 

I have a strange relationship with the Wizard of Oz IP: Unlike a lot of other people, I never saw the 1939 movie as a kid. I did eventually see it when I was well into my adult years but for me, the Wizard of Oz that I saw when I was a kid, and the one which indeed resonated the most, was the anime series that was on TV at the time. 
Mind you, in the years since, the afore-mentioned movie has been elevated to that rare, and indeed enviable, position of an adaptation that has become the centre of that particular universe (see also: Willy Wonka and the Chocolate Factory, How to Train Your Dragon and Shrek). 

Given that this is an adaptation of a very successful musical I have to wonder: How much of the musical's success rests on the shoulders of Defying Gravity? Yes it's the best known song, yes even people who don't know Wicked are aware of it and yes it closes the first half, but given that song's renown does anyone really know what happens in the second half? More to the point, does anyone care?

And therein lies the problem: The first movie/half was enjoyable to the point that the second movie/half seems pale by comparison. Yes the visuals and art direction are pleasing, yes this movie has a lot more time to develop it's ideas when compared to the musical,  and yes the cast are giving their all but it all seems underwhelming when compared to the first half. I have been informed that it is the same case for the musical - and this adaptation DID go some way in addressing some of the weaker moments of said musical - but, as is often the case, not every adaptation can't escape the weaknesses of the source. Matters aren't helped with one getting the feeling that this movie seems so intent on taking an axe to the source material: Dorothy has a face that is hidden, and the backgrounds of her companions (Scarecrow, the Tin-Woodsman and the Cowardly Lion) seem ludicrous. 

Is that the fault of the book/musical as opposed to the movie? I will give it that but it still leaves a nasty taste in the mouth. And the same problem the musical faced still haunts the movie: Great first half, weak second half. Still they did try to overcome said problem so 'A' for effort... 

Hercules Returns

 And this week's Friday night movie has been... Hercules Returns!

Original image located here. Accessed 21st November 2025

Here's another movie that has been on my radar for years but is only now being addressed. It's an Australian movie form the early nineties that has now been forgotten. But I have been meaning to watch this due to it having been written by one Des Mangan (the one-time host of the SBS Cult Movie and who made dry-wit into an art form). 

So what this movie tells is the story of a guy who takes over a run-down theatre with plans to open it back up. He obtains a movie to screen as a movie but finds it's all in Italian. So he, along with his staff, dub over it. So what this movie is is twenty minutes of original footage and one hour of footage from an Italian movie called Samson and His Mighty Challenge accompanied by funny voices. 

In short, this movie is it's own Abridged series. 

And who am I kidding? It's hilarious to watch with lots of gags and lunacy coming from the most mismatched visuals and dialogue. There's some great lines and some genuinely-laugh-out-loud moments. Furthermore, this is clearly the vision of someone who has a passion for cinema and a substantial knowledge of lesser known movies. 
All in all, a fun watch. 

The Guns of Navarone

And this week's Friday night movie has been... The Guns of Navarone!

Original image located here. Accessed 14th November 2025

As is often the case, this has been sitting on my watchlist for a considerable amount of time - well over two decades to be precise. And I have only gotten around to see it through the accessibility that streaming provides. 

I was led to this movie on the impression that this is one of the best war movies ever made. Some may disagree on that one but what I got from this movie is that it is a great example of a genre crossbreed: war and adventure. 
In this case, a group of soldiers, of varying backgrounds and unique talents, go through enemy territory to complete an objective. Sure that set-up may seem tried and tested but it is for a reason: it works. 
And this movie does deliver on it's premise: Exotic locales (Greece), high stakes, great set pieces, gripping tension and a cast giving committed performances. Gregory Peck is in fine form but somehow David Niven steals the show.
I was worried that a two and a half hour runtime may be a slog to get through but, against the odds, this was anything but a dull watch.

Anora

   And this week's Friday night movie has been... Anora!

Original image located here. Accessed 7th November 2025

Best Picture Oscar winner no.: 97 (2024) 
(clearly old habits die hard)

Funny thing: If this had never won Best Picture at the Oscars I wouldn't have given this the time of day - call it a case of it slipping under my radar. But I think I am, by now, well-versed enough in Best Picture Oscar winners to give this a look. Maybe, like numerous times before, I will be surprised?

Turns out, I was: Firstly, I will give the Academy credit as this has to be one of the times they show a spine and give the top prize to the most unconventional of candidates. I call this unconventional due to the subject matter and large amounts of swearing.
Secondly, it seems the reign of the 'small-scale-low-budget' trend of winners (that commenced with The Hurt Locker) shows no sign of stopping - Not that I'm complaining. 
Thirdly, this is both funny and sad in equal measure. In fact, I do agree with the observation that this movie owes more to the screwball films of the 1930s than would first appear. Certainly it comes with a coating of over nine decades of change but it's there. And, with said coating, fascinating to see.
Finally, Mikey Madison is indeed a force to be reckoned with.

So yeah, a well deserved winner of Best Picture on all accounts.