Solaris

 And this week's Friday night movie has been... Solaris!

Original image located here. Accessed 30th May 2025

Here we are folks: The classic 1972 Soviet movie that was intended to be a response to 2001: A Space Odyssey but has since become something of a classic in it's own right. Certainly I knew of this film and I had seen the remake that starred George Clooney so what do I make of this?

It's long that's what. Nearly three hours and it comes across as something of an endurance test, with some pointless scenes and a pace that moves faster than a molasses flood. I will give credit to the director Andrei Tarkovsk for demanding that the audience approach the movie on his own terms but that is still quite a demand.

Still, I will give credit for this movie for it's ideas and the hypnotic approach. And the final scene is indeed one I never saw coming. 

Singin' in the Rain

 And this week's Friday night movie has been... Singin' in the Rain!

Original image located here. Accessed 23rd May 2025

Last year I watched quite a few musicals - more than I would regularly watch in a year (i.e. more than zero). So I may as well go the whole hog and go for the big one. Sure we all know the titular song but what of the movie attached to it?

Have you ever seen the kind of person who can enter a room full of people and, through a combination of personality and charisma, win over everyone in said room with little to no effort? That's what this movie is. The songs are catchy, the dancing sequences are insane, the humour hasn't aged at all, and exuberance just leaps out of the screen. 

Not much else to say except that it seems that this is an eternal classic for a damn good reason. 

The Wrestler

And this week's Friday night movie has been... The Wrestler!

Original image located here. Accessed 16th May 2025

A lot has been said about this movie, with it being the resurrection of Mickey Rourke's career and being one of the best movies of the 2000s. So it therefore becomes difficult to bring something new to the table.
Personally I enjoyed it and think the approach of making this movie comparable to a documentary worked wonders. Rourke is in top form and credit is due to taking wrestling seriously. 

So is this movie the evil cousin of Rocky and Raging Bull? Well that's one way of putting it. But personally I find it fitting that this movie came out the same year as Iron Man: Both movies

• star an actor who had fallen out of favour, 
• delivering a performance that effectively breathes new life to their career 
• in which they play someone who mirrors their personal life.  

But ultimately this wasn't an easy watch so next week I think I might watch something more fun *checks schedule*....Oh hello.....

Kneecap

 And this week's Friday night movie has been... Kneecap!

Original image located here. Accessed 9th May 2025

 Behold: A movie I wouldn't have heard about had it not been for a friend who told me about it.

So what we have here is a bio on Northern Irish hiphop act Kneecap. It has the band members playing themselves and shows their rise to fame along with the trials and tribulations they go through. Standard music bio pic right?

Wrong! Yes this genre can very easily fall into formula but this movie wisely avoids it. Part of what makes it unique is that it frames to band's story alongside that of Northern Irish identity: defying the British and preserving both the language and the culture. 
It also helps that this movie takes the approach of being grimy, anarchic, playful, creative and funny. 
So props to this movie for not only breaking step from formula and running in the opposite direction.

Also, does anyone think that Detective Ellis may join the ranks of cinema's most memorable villains?

Operation Filmmaker

 And this week's Friday night movie has been... Operation Filmmaker!

Original image located here. Accessed 2nd May 2025

Here we are with another documentary that started in direction but ended up in a completely different one.
In 2003 during the War on Iraq, a young man, Muthana Mohmed, was caught on camera lamenting how his aspiring film career had been ruined: First by the then current regime and then by the US Armed Forces. This caught the attention of Liev Schreiber who then sought Muthana out and invited to take part in a film Schrieber was making (Everything is Illuminated) as an intern. 
Surely this is a one-in-a-million success story but this documentary is more about what happened next.

Needless to say it isn't pretty: What follows is Muthana's misadventures navigating the world of filmmaking: He doesn't do the work he is assigned, makes no effort to build connections and network, spends quite a lot of time partying, bounces from film-set to film-set, is warned by his countrymen to not return to Iraq, relies on the goodwill by the people around him, acts entitled, keeps adding to his visa, and tries to get into film school.

Yet at the same time, there is another narrative going on at the same time: that of the people around Muthana. They are relying on the good intentions that got him out of Iraq and are offering no help whatsoever. Indeed, it is telling that, in the last twenty minutes, Muthana turns on the people filming him and lashes out at them. 

So who is the bad guy here? It's unclear that's for sure but that's what makes this documentary so compelling. Uncomfortable viewing? Damn straight but it's hardly dull.