Wallace and Gromit: Vengeance Most Fowl

And this week's Friday night movie has been... Wallace and Gromit: Vengeance Most Fowl!

Original image located here. Accessed 31st January 2025

As an IP, Wallace and Gromit's output is small: One feature film and a handful of shorts. Granted the quality of animation demands a lot of time and effort, but what there is, is never dull. And when a new entrant emerges, it is difficult to avoid.

No idea why you'd want to: The humour is near non-stop, the visuals are inventive and there are some surprising use of mood that would be suited to a horror movie. Also pleasing is the jabs at the increasing influencing devices and tech have in our lives. Okay sure there are more than a few allusions to The Wrong Trousers (perhaps to the point of reliance?) and Wallace makes for an exasperating character but this was a lot of fun. 

I recall watching Wallace and Gromit when I was in High School. And I'm glad to report this IP is still delightful three decades later.

Dark Star

And this week's Friday night movie has been... Dark Star!

Original image located here. Accessed 24th January 2025

Here's a question: Can anyone tell me, without looking it up, who created the Alien franchise?
My experience with sci-fi nerds - or any nerds for that matter - is that they tend to venerate creators who come up with successful IP. By way of example: George Lucas gave us Star Wars, Gene Roddenberry gave us Star Trek, J. Michael Straczynski gave us Babylon 5 and Joss Whedon gave us Firefly.
All recognisable names to be sure - so who created Alien?

The answer is two people: Dan O'Bannon and Ronald Shusett. The former wrote a movie called Dark Star and it impressed the latter to a point that they joined forces, worked on some of the ideas from said movie and gave us the horror/sci-fi hybrid that we all know.
And if that isn't enough, this movie was the directorial debut of one John Carpenter. It was originally a student film but, with some additional funds, it was expanded upon.
Quite a pedigree one would think.....

Let's get this out of the way: This is a B-Movie. The sets look shoddy, the sfx are cheap, the premises are ludicrous and there is no attempt to hide it. The monster in this movie is a beachball and the cast act like they're stoned. Certainly there are some elements that will crop up again in Alien - blue-collar space-farers working for a faceless corporation - but both films are so removed from each other it's hard to make the connection both came from the same writer. 
And yet, this movie still works: There are plenty of laughs and the cheap nature of it makes it endearing. It certainly does say a lot about doing a lot with limited resources and you must give props to a student film that made the leap into a full feature. 
Funny how big things would come to those behind a mere student film....

Gimme Shelter

And this week's Friday night movie has been... Gimme Shelter!

Original image located here. Accessed 17th January 2025

Behold: one of the most famous (infamous?) documentaries, music or otherwise, ever made. It's the chronicle of the Altamont Free Concert - a show put on by the Rolling Stones that ended in disaster.

For those who don't know: Altamont happened in 1969, four months after Woodstock. It was put together by the Rolling Stones and had them headlining with some other acts. During the show however the crowd was unruly and the security, provided by the Hells Angels, were very hostile to them. Needless to say, it descended into chaos and an attendee, one Meredith Hunter, was stabbed to death.
Since then, there have been varying accounts of the event but it has gone down in history as a catastrophe and, most significantly, the endpoint of both the sixties and the hippy ethos of 'peace and love' it inspired.

Of  course, this documentary does nothing to challenge such a narrative: the planning process is shown to be haphazard and the event is shown to be utter mayhem. And it is the latter that is the key selling point of this documentary: it is terrifying to watch and the alarm shown by the Stones is genuine. 

But the main strength of this feature is seeing Mick and Charlie being confronted with the footage. Granted the Stones may forever be the benchmark for pop music 'bad boys' but rarely are such 'bad boys' shown the consequences of their actions. And it is downright harrowing. 
Was that the intention of this documentary? Hard to say but what I do know is that this was a far from easy watch - but much like car crash, hard to look away. 

Nosferatu (2024)

And this week's Friday night movie has been... Nosferatu (2024)!

Original image located here. Accessed 10th January 2025

I saw this in the cinema where some goth girls were in the row behind me. And when the line came "He's coming! He's coming!" I heard some giggling....

It's a bold move to remake one of the foundation stones/benchmarks of horror cinema: what can one do with the source material? Okay sure the original is over a century old and may look creaky today, but there are some genuinely freaky moments that put more modern horror movies to shame. So what does this one bring to the table?

Well the atmosphere is stunning with some great use of creeping dread. The visuals are gorgeous and there plenty of nods to the source material. But at the same time, I can't help but think that this is a soulless exercise. It is horny to the point of absurdity, the accents are silly and I was left with the thought of what the whole point of it was.

Footrot Flats: A Dog's Tale

   And this week's Friday night movie has been... Footrot Flats: A Dog's Tail Tale!

Original image located here. Accessed 3rd January 2025

Happy New Year! And what better way to set off another year of movie watching, lets take a look at a movie that I have wanting to see for a long time.

I remember Footrot Flats when I was a kid. Certainly I knew of the comic strip but a lot of the humour went over my head - I guess one has to be sheep farmer to get the most out of it. But I do remember knowing the characters and, in particular, Dog. And I knew of this movie and the accompanying theme song - Dave Dobbyn's Slice of Heaven - so I may as well get off my slack arse and watch this.

Perhaps the most impressive aspect of this movie is that it is a New Zealand production and a major stab at getting an animated New Zealand movie made (has any more been made since?). And the animated is indeed delightful - ironically being outsourced from a Sydney animation studio - with special mention going to some rather stunning backgrounds.
Problem is, there is no plot to speak of: just a series of misadventures involving bad jokes, pointless scenes, archaic situations, the afore-mentioned farmer-centric humour and New Zealand pride that would look alien to outsiders. 
Needless to say it was disappointing that a movie I have been wanting to see turned out to be downright dull. 

But at least we still have Slice of Heaven.

And so 2025 is off to a flying start....