Elio

And this week's Friday night movie has been... Elio!

Original image located here. Accessed 2nd January 2026

Happy new year! Here's to the next twelve months of watching movies - and what better way to begin than with a movie that was tossed out into the world with little to no faith in it.

Once upon a time, there was a little boy who had a keen interest in space exploration. He devoured every book he had on the subject and was very excited when the Voyager 2 probe reached Neptune. He was very keen on UFOs and dreamed of making contact with aliens. And despite his imagination, he was neurodivergent (although he didn't know it at the time) and he had trouble fitting in.

I think this movie was custom made for me. 

Last year I pondered on what could be the least of Pixar's impressive track record and one could make the case that this could be it. Even I will admit that some of the complaints of this movie - it's looking formulaic, has less heart and more manipulation when compared to it's brethren  - may have some legitimacy behind them. 

But what does it matter? This movie spoke to me and still has the sense of child-like wonder that Pixar does so well. Indeed, one look at this, you wouldn't think that this was the result of a troubled production and a poor marketing effort. But in the end, it's the idea of finding somewhere where we all belong that brings it home. 

Truly a superb movie. 

Superman (2025)

And this week's Friday night movie has been... Superman (2025)!

Original image located here. Accessed 26th December 2025

When I was a boy I saw the original Superman movie with Christopher Reeve. I did enjoy it but in retrospect that was the starting point for super-hero movies, proving they can work and draw in the numbers with people both inside and outside of comic book fandoms. 
However in years since, Superman has become a difficult character to get right, with subsequent movies being dour affairs (Henry Cavill) or good ideas weighed down with lousy ones (Brandon Routh).
So can James Gunn, surely the patron saint of taking lesser known/tainted material and doing something grand with it?

I will say this: This movie does learn from the mistakes of it's predecessors. There is plenty of colour, it ditches the desaturation of Cavill's era and has an effective leading man in David Corenswet. But perhaps the most striking thing about this movie is that it truly understand how a Superman movie is supposed to work: Gigantic set pieces, Superman's powers being utilised in fun and inventive methods, the realisation that Superman is meant to serve as an example and some true heart. And no Jon Peters for miles. 

And with that, this blog comes to a close for the year. This year has been a journey and a half and I hope you all enjoyed going with me with every step.
And I hope to speak to you all again in the new year when there's more movies to discover...

The Nativity Story

And this week's Friday night movie has been... The Nativity Story!

Original image located here. Accessed 19th December 2025

Here's a curve ball for you all: The tackling of a religious-themed film.
I have been wanting to see this for quite some time but I've always held it off - this is because I have been on the internet long enough to know that talking about religion is asking for trouble. 
But seeing as it's that time of the year.....

To adapt a story from the Bible is similar to adapting Shakespeare: The material has been done countless times before so the challenge lies in finding a new angle. So what does this movie do?
What I find interesting is that the director is one Catherine Hardwick: Future director of the first Twilight movie. And while her interest in desaturated colours is present here and her approach may be heavy-handed (A choral version of Silent Night playing at the end? Seriously?), there are some striking visuals at play here. I also admire the realistic approach this movie takes. I am also impressed to see a pre-fame Oscar Isaacs giving a compelling performance as Joseph. And the sci-fi nerd in me finds it amusing to see Alexander Siddig playing the Angel Gabriel. 

But what really makes this movie works is that it tells the story of a couple going on a journey and facing various trials and tribulations before before and during. And that's where the movie really shines, being gripping and finding a strength in both it's simplicity and sensitivity. 

So may I conclude this post by wishing you all a Merry Christmas. 

The Elephant Man

And this week's Friday night movie has been... The Elephant Man!

Original image located here. Accessed 12th December 2025

Earlier in the year, I watched The Straight Story as it was one I had been meaning to do for some time - and the passing of David Lynch was as good as any reason to get off my lazy arse and watch it. And here, we have a similar situation: This one has gone down as one of David Lynch's finest works, proving that, beyond the veil of his surrealist impulses, lies a deep interest in humanism.

And this is indeed a remarkable film: It's not just the humanist message throughout - keep in mind this was the first time it emerged in Lynch's filmography so many would think he didn't have it in him - but how Lynch coaxed compelling performances out of his leads. Anthony Hopkins is his reliable self but John Hurt does wonders - which is impressive given he's hiding behind a mountain of makeup and effects. Through in some truly staggering black and white imagery and its easy to see why this has gone down as one of Lynch's best. 

And speaking from an autistic perspective, the films most famous line - "I am not an animal! I am a human being!!" does indeed resonate.

Senior Year

And this week's Friday night movie has been... Senior Year!

Original image located here. Accessed 5th December 2025

Sometimes a film appears on your watch list and it stays there for so long that you forget why you put it there in the first place. But in this case, I think I know why: My first point of contact with this movie was seeing saw that scene where the cheerleader is thrown up but doesn't get caught and is subsequently knocked out. Nothing like some mindless violence to get one interested.

What I got however was a movie that seems to be at odds with itself: On one hand it could have gone and said something about arrested development and being a teen in an adult's body but it did not (did it see Young Adult and get cold feet?). And on the other it could have gone and said something about the current youth being disrupted out of lifelessness by an older person - and while it does do that it comes across as forced. So what does that make this movie?

Certainly there are some good jokes and Angourie Rice does an AMAZING job of channelling Rebel Wilson but the rest of the time? Just too much cringe for my liking. Damn...

Wicked: For Good

 And this week's Friday night movie has been... Wicked: For Good!

Original image located here. Accessed 28th November 2025

Well I said I will watch the follow up to the first movie so here we are. 

I have a strange relationship with the Wizard of Oz IP: Unlike a lot of other people, I never saw the 1939 movie as a kid. I did eventually see it when I was well into my adult years but for me, the Wizard of Oz that I saw when I was a kid, and the one which indeed resonated the most, was the anime series that was on TV at the time. 
Mind you, in the years since, the afore-mentioned movie has been elevated to that rare, and indeed enviable, position of an adaptation that has become the centre of that particular universe (see also: Willy Wonka and the Chocolate Factory, How to Train Your Dragon and Shrek). 

Given that this is an adaptation of a very successful musical I have to wonder: How much of the musical's success rests on the shoulders of Defying Gravity? Yes it's the best known song, yes even people who don't know Wicked are aware of it and yes it closes the first half, but given that song's renown does anyone really know what happens in the second half? More to the point, does anyone care?

And therein lies the problem: The first movie/half was enjoyable to the point that the second movie/half seems pale by comparison. Yes the visuals and art direction are pleasing, yes this movie has a lot more time to develop it's ideas when compared to the musical,  and yes the cast are giving their all but it all seems underwhelming when compared to the first half. I have been informed that it is the same case for the musical - and this adaptation DID go some way in addressing some of the weaker moments of said musical - but, as is often the case, not every adaptation can't escape the weaknesses of the source. Matters aren't helped with one getting the feeling that this movie seems so intent on taking an axe to the source material: Dorothy has a face that is hidden, and the backgrounds of her companions (Scarecrow, the Tin-Woodsman and the Cowardly Lion) seem ludicrous. 

Is that the fault of the book/musical as opposed to the movie? I will give it that but it still leaves a nasty taste in the mouth. And the same problem the musical faced still haunts the movie: Great first half, weak second half. Still they did try to overcome said problem so 'A' for effort... 

Hercules Returns

 And this week's Friday night movie has been... Hercules Returns!

Original image located here. Accessed 21st November 2025

Here's another movie that has been on my radar for years but is only now being addressed. It's an Australian movie form the early nineties that has now been forgotten. But I have been meaning to watch this due to it having been written by one Des Mangan (the one-time host of the SBS Cult Movie and who made dry-wit into an art form). 

So what this movie tells is the story of a guy who takes over a run-down theatre with plans to open it back up. He obtains a movie to screen as a movie but finds it's all in Italian. So he, along with his staff, dub over it. So what this movie is is twenty minutes of original footage and one hour of footage from an Italian movie called Samson and His Mighty Challenge accompanied by funny voices. 

In short, this movie is it's own Abridged series. 

And who am I kidding? It's hilarious to watch with lots of gags and lunacy coming from the most mismatched visuals and dialogue. There's some great lines and some genuinely-laugh-out-loud moments. Furthermore, this is clearly the vision of someone who has a passion for cinema and a substantial knowledge of lesser known movies. 
All in all, a fun watch. 

The Guns of Navarone

And this week's Friday night movie has been... The Guns of Navarone!

Original image located here. Accessed 14th November 2025

As is often the case, this has been sitting on my watchlist for a considerable amount of time - well over two decades to be precise. And I have only gotten around to see it through the accessibility that streaming provides. 

I was led to this movie on the impression that this is one of the best war movies ever made. Some may disagree on that one but what I got from this movie is that it is a great example of a genre crossbreed: war and adventure. 
In this case, a group of soldiers, of varying backgrounds and unique talents, go through enemy territory to complete an objective. Sure that set-up may seem tried and tested but it is for a reason: it works. 
And this movie does deliver on it's premise: Exotic locales (Greece), high stakes, great set pieces, gripping tension and a cast giving committed performances. Gregory Peck is in fine form but somehow David Niven steals the show.
I was worried that a two and a half hour runtime may be a slog to get through but, against the odds, this was anything but a dull watch.

Anora

   And this week's Friday night movie has been... Anora!

Original image located here. Accessed 7th November 2025

Best Picture Oscar winner no.: 97 (2024) 
(clearly old habits die hard)

Funny thing: If this had never won Best Picture at the Oscars I wouldn't have given this the time of day - call it a case of it slipping under my radar. But I think I am, by now, well-versed enough in Best Picture Oscar winners to give this a look. Maybe, like numerous times before, I will be surprised?

Turns out, I was: Firstly, I will give the Academy credit as this has to be one of the times they show a spine and give the top prize to the most unconventional of candidates. I call this unconventional due to the subject matter and large amounts of swearing.
Secondly, it seems the reign of the 'small-scale-low-budget' trend of winners (that commenced with The Hurt Locker) shows no sign of stopping - Not that I'm complaining. 
Thirdly, this is both funny and sad in equal measure. In fact, I do agree with the observation that this movie owes more to the screwball films of the 1930s than would first appear. Certainly it comes with a coating of over nine decades of change but it's there. And, with said coating, fascinating to see.
Finally, Mikey Madison is indeed a force to be reckoned with.

So yeah, a well deserved winner of Best Picture on all accounts. 

The Wicker Man

   And this week's Friday night movie has been... The Wicker Man!

Original image located here. Accessed 31st October 2025

It's Halloween night so what better way to see out this year's clutch of horror movies than to go on hard mode?

In a way this movie surprised me: I was expecting to have some dread, the building of tension and Christopher Lee at his freakish best. Certainly I did get that but what I wasn't expecting was some musical numbers. And some bright colours. And some truly bizarre behaviour.
I have to wonder: has time been kind to this movie? True we know how it's going to end (even though it still hits like a truck) and somehow the movie comes across as more comical than threatening. Or maybe this inspired a line of imitators so long that the original's power has faded

I also found myself wondering: is this a movie about being threatened by a cult? Because one may come away with the impression that the cult looks appealing...

Doctor Sleep

And this week's Friday night movie has been... Doctor Sleep!

Original image located here. Accessed 24th October 2025

Well I've seen The Shining. So let's talk about the adaptation of the sequel to that novel.

From the outset, this film is a contradiction: It looks like a horror movie but it is more a thriller. It is marketed as a sequel to the movie adaptation but can't decide whether to be a separate entity or be in reverence. It is a sequel to a movie adaptation but the original was majorly divorced from the source material. It is an adaptation of a sequel to a book that was adapted but this adaptation is still focused on the adaptation of it's predecessor and through writing this sentence I think I have fallen into some sort of singularity here.

But if the above paragraph seems confused then that's exactly the vibe I'm getting from this movie. There are some good ideas throughout but they just seem so all over the place and difficult to connect with. Matters aren't helped with a complete disregard for the subtlety that made The Shining so compelling. 

Black Christmas

 And this week's Friday night movie has been... Black Christmas!

Original image located here. Accessed 17th October 2025

Its well documented that I have a strong distaste for slasher movies. But, for some reason I will never understand, I still ended up watching this one. 
In this case, this movie has reputation for being one of the earliest entrants in the slasher genre. Some even say that the mighty Halloween owes a considerable debt to.

Watching this movie, there is a lot going for it: The 'dumb teenagers' trope that so frustrates me with slasher movies is thankfully absent. The tension is unbearable. The trick of 'what you can't see' is put to good use. And the killer is nothing less than unsettling.
The real treat however is the cast - in particular there are some names I have seen previously: Olivia Hussey (1968 Romeo and Juliet), Keir Dullea (2001: A Space Odyssey) and Margot Kidder (Superman). It is indeed a treat seeing these faces in roles completely different from what I' knew them from. Kidder in particular is a treat to see as a smoking/hard drinking curmudgeon. 

So yeah, a slasher that does things differently is always welcome in my book. 
Still not sold on the genre though...

Weapons

 And this week's Friday night movie has been... Weapons!

Original image located here. Accessed 10th October 2025

Well I saw Barbarian last week so I should be prepared for this, right?
It's well documented that horror movies aren't my favourite genre of movies so it should eb noted that watching this movie was something of a milestone: Its the first horror movie I saw in the cinema. As such it should come to no surprise that I prefer to watch horror movies at home - that way no one can see or hear you jump. Or shriek. Or bite down on one's fingers.

As for the movie itself, seeing Barbarian beforehand was the wise move as it gave me at least some idea of what to expect. And director Zach Creggar is pulling off the same trick: A mystery narrative where each piece of the puzzle slowly comes into place. It is indeed a compelling narrative, with some interesting twists and some unbearable tension. And all accumulating to a truly demented finale. 
It has been said that Halloween was conceived as an exercise of taking the lessons learned from Hitchcock and running with them. I wonder if the same can be said about this....